A Quote by Nancy Wilson

Ann and I were the main writers in Heart. We had the leadership role, and the guys in the band sometimes had a hard time with that. — © Nancy Wilson
Ann and I were the main writers in Heart. We had the leadership role, and the guys in the band sometimes had a hard time with that.
When I was writing 'House Of Suns,' there were a few writers I had in mind as role models, the main being Gene Wolfe.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
Cold Chisel had their moments, but basically, they were all decent, quiet chaps. I was just a lunatic. Those guys didn't know what had hit them when I joined the band.
In college, I had a lot of friends who were writers and wanted to be writers and I felt intimidated by it. I just didn't know if I had any gift or voice and I had no confidence about it.
The guys in my band are good friends on and off the stage. The band members that I have now is probably the best band that I have ever had.
I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.
The role of Ronald Reagan had been deliberately diminished; the role of the Europeans, who, with the exception of Helmet Kohl, were often keen to undermine America when it mattered, had been sanitized; and the role of Mr. Gorbachev, who had failed spectacularly in his declared objective of saving communism and the Soviet Union, had been absurdly misunderstood.
It broke my heart when my first band split up. I was 25 and we'd been together since we were 15. But it had to happen. There was a point when I knew I had to move on.
The British invasion was the most important event of my life. I was in New Jersey and the night I saw the Beatles changed everything. I had seen Elvis before and he had done nothing for me, but these guys were in a band.
There's very notable dynamics in all of the collaborations I've done. It's hard to say if one is more important than the other, but if I had to think of all situations and point to one band that I enjoyed most it would be when I was eight years old. I had a band with my little sister and the kid across the street. We sat around all day playing music and it was bliss. I didn't have any expectations or do it for anyone or worry about selling an album. That was really my favorite band. We were called Hot Chocolate.
In OVW, it was like a different world, pretty much. They had the talent ready to stay around for a while, with guys who weren't over yet and guys who weren't retiring yet. With FCW, WWE were a bit more hands-on with the writers.
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no sidemen,' and when I joined the band, it was still the same. There were some power struggles emerging, because Henley and Frey had sung all the hits at that point.
Heart had originally relocated to Vancouver because Mike evaded the draft to protest the Vietnam war. We had to deal with a lot at that time - it was a tough period for the band.
After the match-fixing allegations, the one thing I had was patience. It took a lot of time for the courts to come to a verdict regarding the case. Sometimes, there were adjournments, but during that time, I had patience. We fought very hard, and finally justice prevailed, and we got the right verdict.
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