A Quote by Nani

With one film after another becoming a hit, nervousness only grows. — © Nani
With one film after another becoming a hit, nervousness only grows.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
People will watch your film only if it's good. Another star's flop won't make your film a hit. So my race is with myself.
Only as a child is one truly innocent. When he grows, he must pull on one veneer after another.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
Well, Rush, look what happened? 9/11 happened, and we didn't know it in advance. That's right, we got hit, we got hit big time. We need a new agency to make sure it doesn't happen again, Rush." And that was the excuse for starting Department of Homeland Security. The government grows and grows and grows and grows, and what do we get? Little old ladies wanded, scanned for bombs and weapons under their skirts next to the incontinence diapers. A bunch safer.
I feel like I've mastered what nervousness is, and simply, nervousness is, fearing the future. Or, I like to put it as, thinking about things that you don't want in the future. Normally, artists may think, 'What if my show doesn't go well?' Boom. That's going to cause nervousness.
I didn't watch a film after the 1960s. I have no idea who all were the good heroes, directors or producers in the '80s. The only film I watched after all those years was my own film.
One of my staff members told me that after the release of the film, whenever a custodial death is reported, people say - 'Another 'Visaranai.' This is the kind of change that I am looking for; it should hit you hard.
Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.
It's not just the actor who's responsible for a film becoming a hit. A whole lot of work and people are involved in it.
Honestly, I realized the deeper significance of spirituality only after becoming a mother, like, for instance, the selflessness, understanding the needs of another and so forth that comes with the territory.
The whole secret of era is to specific no nervousness. Never nervousness what fortitude become of you, depend on no one. Free the twinkling you annul all help are you unrestricting.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
My Toussaint [Louverture] film is in limbo. We still hope after all this time that we can find another way to get this film done.
I really didn't want to be boxed into becoming a certain kind of film-maker - becoming the Maori story film-maker because I had made those short films.
If you are out there golfing, and you hit a bad shot, anyone who knows golf will tell you that you just have to forget about it. If you don't, you'll hit another bad one and another and then another. It plays with your head. It's the same way in a fight.
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