I liked Rajamouli's 'Eega.' He is a great technician, and I would be happy to get a chance to work with him.
Of all my dubbing projects, the toughest one has been 'Eega!'
Nobody has tried anything like this in Telugu cinema. 'Eega' is a landmark film.
I got a lot of exposure because of 'Eega,' as the film was released in Tamil, Hindi, and Malayalam.
The consolidated appreciation that 'Eega' is the pride of the Telugu film industry is the biggest award I can get.
Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.
It is such a treat to see two of my most favourite creative people in one frame - Rajamouli sir and Amitabh sir. They are so inspiring.
To be very frank, I never got very good offers from Hindi cinema until 'Eega.' Now, I'm flooded with offers.
Thanks to 'Eega,' people respect me as actor. That abundance of respect is what pulls me towards cinema.
I wanted to complete 'Maryada Ramanna' in a short time, but it took me almost a year, and now 'Eega' took double the time, but in the end, it was worth it.
I'm such a big fan of Woody Allen. I once tried staying at the same hotel as him, hoping I would bump into him!
Back in the day, rappers were 'bump bump bump ba bump ba bump.' They was rhyming like that, but I was like, 'bababa bump bump babum ba babump bababa bump.'
I think the fact that Rajamouli sir wrote the character of 'Baahubali' for me has been the biggest compliment in itself.
I have my strong faith, respect, and belief in Rajamouli sir. The fact that he believed I could play 'Baahubali' was huge for me.
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
This is it for a winner, Dance to this and you're gonna get thinner, Move slide your rump, Just for a minute let's all do the bump, Bump, bump, bump yeah.