A Quote by Naomi Alderman

Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable. — © Naomi Alderman
Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
It is absurd for the Evolutionist to complain that it is unthinkable for an admittedly unthinkable God to make everything out of nothing and then pretend that it is more thinkable that nothing should turn itself into everything.
Although I write dystopian fiction, I don't believe in dystopian fantasies.
The unthinkable is thinkable. No: likely.
One of the realities for women writers is that sometimes you'll start strong, but as you see people go up the ladder, working in their literary lives, getting prizes and awards and the better teaching gigs, women tend to sort of drop away.
Philosophy limits the thinkable and therefore the unthinkable.
It was a time when the unthinkable became the thinkable and the impossible really happened
What we learned on September 11 is that the unthinkable is now thinkable in the world
What we learned on September 11 is that the unthinkable is now thinkable in the world.
A lot of the things that until now seemed unthinkable are starting to be thinkable.
One of the extraordinary things about human events is that the unthinkable becomes thinkable.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
For a lot of women who don't go to college, or for a lot of women who aren't in New York or D.C. or someplace where there's like a large feminist organization they can get involved in, they may be doing feminist work, right, like locally or with a grassroots organization or in their own lives, but if they don't have that support system and if they don't have that availability to feminist language, I think we're missing out on something.
External realities - worlds of politics, economics, law, war, interpersonal and social relations - are part of prose fiction. Fiction also includes the realities of a character's interior language. Poetry can encompass the same realities, but in compressed, intensified language, which creates entirely different degrees of emotional force.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
The war in Afghanistan was fought for feminist reasons, and the Marines were really on this feminist mission. But today, all the women in all these countries have been driven back into medieval situations. Women who were liberated, women who were doctors and lawyers and poets and writers and - you know, pushed back into this Shia set against Sunnis. The U.S. is supporting al-Qaeda militias all over this region and pretending that it's fighting Islam. So we are in a situation that is psychopathic.
That," he whispered, "is unthinkable." In Mosca’s experience, such statements generally meant that a thing was perfectly thinkable, but that the speaker did not want to think it.
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