A Quote by Naomi Alderman

As someone who went to school in the '70s and '80s, I can't say that I noticed much of a 'medals for all' culture myself. — © Naomi Alderman
As someone who went to school in the '70s and '80s, I can't say that I noticed much of a 'medals for all' culture myself.
We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
Gay culture is in a coming-out process of its own. From out of the closets in the '60s, the culture moved onto the disco floors of the '70s and through the hospital wards of the '80s and onwards to the streets.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
I look up to a lot of old school drummers from the '70s, '80s, and '90s.
Everyone knows Aquaman, probably from all the animation he's been in over the years from the '70s and the '80s, entering him into the pop culture.
Daft Punk and I belong to the Generation 75. We were born in 1975, so we are somewhat in the middle of the rebellion and freedom of the 70s and the consumer culture of the 80s.
We are all a little bit hippy, a little bohemian. We take that from the culture we knew, from the '70s and the '80s.
I suppose I was much more serious-minded in the '70s and '80s.
A few years after I finished skating, someone asked where my medals were. I'm like, 'In a suitcase somewhere.' Now they're nicely displayed in an ice rink, but medals don't really mean that much. It's the experience, the story of the skating, the love.
I think there's this tradition of a culture of NDAs that has spanned all the way back to the '70s and '80s when game developers where very paranoid about cloning and people copying one another's ideas and business sabotage.
In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s.
The Southern California arena rock, hair metal, laidback hippie garden culture - for many growing up in the '70s and '80s, none of it made us who we were like Lou Reed did.
I remember some of the limited debate I did back in high school in the late '70s, early '80s: nuclear proliferation was always the big topic, and it's bad. We don't want to see it.
I have tons of pictures of myself as a kid with my medals, and they were never gold medals.
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