A Quote by Naomi Klein
When I went to Australia, I had this feeling, like, 'Wow, this is really a different country.' I think that feeling of genuine foreignness, that this is a very different culture, which is increasingly rare in our globalised world.
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As early as second grade I remember feeling really different and isolated. I had the hugest crush on a boy, and my best friend had a crush on him, too. One day he said to me, 'I like your best friend more because she's paler and she has freckles.' And it was right then that I began to feel like, Oh wow, I'm different.
Bad feeling is a country no woman want to visit. So they take good feeling any which way it come. Sometime that good feeling come by taking on a different kind of bad feeling.
It is different because 'Grahan' was promoted Pan India and audience from all over the country watched it. It was obviously a very different feeling and a different kind of success.
Depression is the most unpleasant thing I have ever experienced. . . . It is that absence of being able to envisage that you will ever be cheerful again. The absence of hope. That very deadened feeling, which is so very different from feeling sad. Sad hurts but it's a healthy feeling. It is a necessary thing to feel. Depression is very different.
Another problem of fragmentation is that thought divides itself from feeling and from the body. Thought is said to be the mind; we have the notion that it is something abstract or spiritual or immaterial. Then there is the body, which is very physical. And we have emotions, which are perhaps somewhere in between. The idea is that they are all different. That is, we think of them as different. And we experience them as different because we think of them as different.
I felt that 'Deep Space' was the way to do a spin off series of an existing franchise where you really are doing a very different show. It's a different format. It's a different feeling.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
Feeling different, feeling alienated, feeling persecuted, feeling that the only way to deal with the world is to laugh - because if you don't laugh you're going to cry and never stop crying - that's probably what's responsible for the Jews having developed such a great sense of humor. The people who had the greatest reason to weep, learned more than anyone else how to laugh.
I think it's about the feeling more than a language. And I think that we and every culture in the world has to keep their own language just to bring something else, something different, and show a different vision of the world, actually. And that's why I'm trying to keep my language.
When you travel like I do, just within our own country the atmosphere is different. The environment is different; the way people talk is different. The energy is different. And that's just material-wise, with the local culture.
I don't think a lot of people are able to relate to genuine patriotism, a genuinely good feeling about our country and its meaning to the rest of the world.
Even though China was a very closed country, they thought of themselves as the center of the world. It is an ethnic characteristic. After I went to Japan, I had a totally different view. The Japanese are always talking about what the Western world is doing. There is the anxious feeling of an outsider.
I think oldest children have a different mentality or know that there were different expectations of them, and I was not only the oldest child - I was the oldest grandchild of 18 grandchildren. I definitely grew up feeling like there were a lot of people who expected me to do something. But it was a very conservative family, very conservative neighborhood. I'm talking mid- to late '60s when I was growing up there, and so if I had stayed in the Boston area, I think my life would have been radically different.
To make love is to become like this infant again. We grope with our mouths toward the body of another being, whom we trust, who takes us in her arms. We rock together with this loved one. We move beyond speech. Our bodies move past all the controls we have learned. We cry out in ecstasy, in feeling. We are back in a natural world before culture tried to erase our experience of nature. In this world, to touch another is to express love; there is no idea apart from feeling, and no feeling which does not ring through our bodies and our souls at once.
For me soccer provides so many emotions, a different feeling every day. I've had the good fortune to take part in major competitions like the Olympics, and winning the World Cup was also unforgettable. We lost in the Olympics and won in the World Cup, and I'll never forget either feeling.
A lot of my personality was informed by feeling very different in the world I grew up in, feeling that I didn't fully belong, that my parents didn't belong.
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