A Quote by Naomi Osaka
I feel like I didn't really know how to cope with not playing well.
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I do feel like I've missed out a bit because I was really close with my sisters when I was at home. It must be weird for them but they cope really well.
I was suddenly really famous, and I didn't know how to cope. I didn't know myself well enough as a person, number one, and as an actor, number two. I wanted to escape.
With all the movies and stuff that we do, it always does feel like this is our home base when Nat and I are playing music. Because we do acting, and that's so fun, and we do it, and we're really passionate for it, but when I'm playing music with Nat - I don't know how to really explain it - it just feels right.
People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.
My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.
I don't know how satisfied you can be when we still have a losing record. We feel like we're definitely playing better. The reality is we're about to find out. Our toughest West Coast trip is normally the circus trip in November. This year, they're flip-flopped. We did well on the first West Coast trip 3-3. Now, this is a big one. All these teams Dallas, New Orleans, Phoenix, Utah, Denver, Sacramento and the Los Angeles Clippers are quality teams. Each team is really playing well. It's going to be a big challenge for us.
Playing characters who are wonderful and beautiful is hard because you don't feel like that most of the time... well, I don't. It's like this whole heart-throb nonsense. It's flattering, but that's not how I feel in the morning. It's something that goes with the job.
It's obviously important for the English national team if you have a lot of players playing big matches. You are more mature and know how to cope.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I feel if I'm playing an athlete, I know I have to prepare. I need to get that body language right, I need to walk like an athlete, look like an athlete. If I'm playing a musician, I need to know how to play an instrument.
You really can't be a good artist if you can't say what you really feel. And people may be offended, but, you know, that's how you feel, and that is your right, and that is your gift as well.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
Playing in a team like Arsenal helps massively having all of these players around you giving you advice. When they are playing well, you feel comfortable, and it helps you to play well, too.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
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