A Quote by Naomi Shihab Nye

We start out as little bits of disconnected dust. — © Naomi Shihab Nye
We start out as little bits of disconnected dust.
Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.
If you put a little pin in the middle and you make a little space, a little circle, then the nature of the mirror shines through. So now you know the mind is not dust, that behind that dust there is this mirror-like nature of the mind, and if it's a big enough hole, you might be so transfixed by the hole you don't notice the rest of the dust.
The nature of an ensemble means when you're a supporting character and not the lead character, you get little tidbits here and there, but you're usually there to provide bits of comic relief and little bits of action or something.
When you write songs, you're writing little bits here, little bits there.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
We have stars, planets and galaxies in space. There's lots of nothingness out there, but it's really not. There's gas, dust and other bits of matter floating around emptier' areas of the universe, but you can't see it very easily.
There are a million people who can come up with little bits. The hard work is making those bits into something.
Bacon bits are like the fairy dust of the food community.
We do not start as dust. We do not end as dust. We make more than dust. That's all we ask of you. Make more than dust.
It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.
I'm not great around the house, I'm pretty useless. I do little bits, but I never quite finish tidying up - I'll start, but I'll leave things unwashed in the sink. It has been known to irritate people somewhat.
All my main characters have got bits of me, bits of my family, bits of my friends.
Animals never spend time dividing experience into little bits and speculating about all the bits they've missed. The whole panoply of the universe has been neatly expressed to them as things to (a) mate with, (b) eat, (c) run away from, and (d) rocks.
Give me some mud off a city crossing, some ochre out of a gravel pit and a little whitening and some coal dust and I will paint you a luminous picture if you give me time to gradate my mud and subdue my dust.
My process is really about little bits of inspiration. I just record them really quick on the guitar or something. I have a huge folder full of them. But if I start a song, I finish it.
Partly because of the way I write - I don't work with an outline or in a straight line. I work where I can see things happening, and so I get lots and lots of little bits to start with, and I'm doing the research at the same time.
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