A Quote by Naomi Shihab Nye
The writing of Kathleen McGookey shines more brightly than most fine things we feel pleasure to read. Celebrate it!
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I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
The glory of God shines, indeed, in all creatures on high and below, but never more brightly than in the cross.
A heavenly light more brilliant than all others sheds its radiance everywhere, and he who was begotten before the morning star and all the stars of heaven, Christ, mighty and immortal, shines upon all creatures more brightly than the sun.
The spirit is often most free when the body is satiated with pleasure; indeed, sometimes the stars shine more brightly seen from the gutter than from the hilltop.
I feel very privileged to get to read and write and not to have to do things that I don't like, and I don't want to give that up. Everything else is just a bonus and often a distraction from the writing, reading, and traveling that gives me the most pleasure.
I think one of the keys is to celebrate intelligent failures and when things don't work, learn from those. Celebrate learning more than we celebrate the failure itself.
What we are shines more brightly than anything we say or do. If we are to fill the world with light, we must first face any tattered remnant of darkness that remains in our own souls.
For some actors, their star shines brightly and fizzles out. My star doesn't shine that brightly, but it buzzes along. Hopefully, that means it will last longer.
Read, Read, and then Read some more. Always Read. Find the voices that speak most to YOU. This is your pleasure and blessing, as well as responsibility!
You're writing for some version of yourself. You're writing the kinds of things that you like to read or wanted to read at a certain point. So, primarily for most of my career, I've written the kind of criticism that fascinates me. The things I discovered the things that get me going, that I'm excited about.
Next to doing things that deserve to be written, nothing gets a man more credit, or gives him more pleasure than to write things that deserve to be read.
There was lots of pleasure in writing The Flamethrowers. Then again, what is pleasure? Some pleasure is easy and other kinds are never quite felt, existing only as the residue of hard work, or more as satisfaction than thrill.
The memory of an absent person shines in the deepest recesses of the heart, shining the more brightly the more wholly its object has vanished: a light on the horizon of the despairing, darkened spirit; a star gleaming in our inward night.
Do not conceive that fine Clothes make fine Men, any more than fine feathers make fine Birds. A plain genteel dress is more admired and obtains more credit than lace and embroidery in the Eyes of the judicious and sensible.
Life in the country teaches one that the really stimulating things are the quiet, natural things, and the really wearisome things are the noisy, unnatural things. It is more exciting to stand still than to dance. Silence is more eloquent than speech. Water is more stimulating than wine. Fresh air is more intoxicating than cigarette smoke. Sunlight is more subtle than electric light. The scent of grass is more luxurious than the most expensive perfume. The slow, simple observations of the peasant are more wise than the most sparkling epigrams of the latest wit.
The two teachers that I had in the Art Institute who affected me the most were Kathleen Blackshear and Robert von Neumann; Kathleen Blackshear because she taught a class called design - I can't remember, design something, and in this class - it met once a week - we would do work centered around some theme, word or subject or technique or whatever, and bring it in for a three-hour discussion. And Kathleen was able, in watching and looking at our work, to direct us to all kinds of things which might relate to what we were trying to do, but she never attempted to tell us what to do.
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