A Quote by Naomi Watts

Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
I like roles that bring the unexpected. Roles that may challenge the way people think about things and perceive things. And I like roles that reflect a reality.
I do work with a lot of women in my company, and I write a lot of roles for women over 40. I think, in 'Feud' alone, we have 15 roles for women over 40, which I'm very proud about.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I would probably choose supporting roles if I had to make a choice. It's actually a really hard thing to say. It's all on a role-by-role basis, ultimately. I shouldn't be so quick to say that. I feel like you're given greater license to be colorful and eccentric in supporting roles, and that's interesting to me.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
When you get into your 40s, the roles do tend to drop off, and I've seen it happening to friends of mine. Hopefully it is improving, and there are female TV executives now who are championing women of all ages in leading roles. But I'm not counting on it.
I like to think I've done a lot of different kinds of roles, but obviously I have done quite a lot of comedies.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
There are certain roles - say, terrorist roles - that if I don't feel like it's something truthful, I'm not going to do it.
I used to worry about the lack of roles for women over 40. But suddenly, everyone has realised it's interesting to have a drama with a woman at the centre of it.
What I have wanted to do is take roles that are unexpected for people who look like me. Roles that the establishment would say, 'Oh, she couldn't possibly be that.'
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
Indeed, there were times when it was quite worrying that after hitting a certain age, you wouldn't hear from a lot of actresses anymore. But that's when women hit their stride and get a lot more interesting. You see that in roles for males but it's slowly getting better for women too.
For a long time, way back in the โ€™30s and โ€™40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
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