A Quote by Naomie Harris
I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.
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We didn't have a lot of time to really prepare for a great chemistry. It was more instantaneous and instinctive. In the morning I went to Daniel Craig trailer and if I wanted to make some changes there was sort of a go between me and the director. It was good because Daniel is always like, "C'mon let's go for it. Let's fight for it!"
My shrink said to me once when I used to get really overwhelmed and super depressed because I was really run down between kids and the company and there was just so much going on - she said, 'You know, you have to look after you in order for you to look after everybody else.'
I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
While the storytelling in games is getting so much better, you look at something like Grand Theft Auto V, which I thought was really beautifully written, it doesn't really need a movie because it is a movie. So I think you need a unique game - you either need an incredibly talented writer and director to come in and put together an amazing vision, or you need a game like Metal Gear, which is very cinematic, has a huge amount of history behind it, but whose cinematic experience is very different from what you'd get in a theater.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.
Michael Jackson really turns my life and changed my creative process as well. "Keep On Loving You" really honors him and honors my relationship with him so much so that the family, the estate and Sony Music gave me permission to use footage from our time on tour together in my new video. I am just so, so honored that they sought to do that because they didn't have to do that at all. It's a brilliant gesture because they realized how much he meant to me. When you hear the song and watch the video, you'll get that too.
I felt really happy to be able to film together with Korea's most beautiful actress. Everyone thinks it's because of her outward appearance that Song Hye-kyo became famous, but after working together, I realized her inner heart and personality are also good. Moreover, she has lots of acting experience, and I actually did learn a lot from her.
Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.
And Father said, "Christopher, do you understand that I love you?" And I said "Yes," because loving someone is helping them when they get into trouble, and looking after them, and telling them the truth, and Father looks after me when I get into trouble, like coming to the police station, and he looks after me by cooking meals for me, and he always tells me the truth, which means that he loves me.
The first time I went to Daniel's [Radcliffe] apartment to just hang out before, because we're doing this crazy thing together, right away he said, "Do you want to put your hand in my mouth so we can get used to this?" And he was really ready to go. So we broke down any barriers pretty quick.
For me as a midfielder, Paul Scholes was the best possible teacher. When people ask me my hardest opponent, I always refer to Paul in training. Facing him improved me so much because his astonishing quality gave me something to aim for. He never gave the ball away, he could nutmeg you, he could make you look a fool, his range of passing was remarkable, his touch and awareness, everything was top notch. Seeing Scholesy made you stand back and realize you had a long way to go, because he was awesome.
I feel I'm better now than I ever have been. You learn so much as you're doing it. I'm watching tapes and I'll see things that get me annoyed and where I know I can improve. I understand better letting the crowd play more. I've always said it was important for me who I was working with, because I like to kid around a lot. But I've also learned to use my partner better. I'm feeling good. There's no reason to stop.
When I became a Sigma Chi it was great, because they were the pople I enjoyed being with and I was very proud of the association. It was kind of an instant confidence builder for me--that what I considered the best fraternity on campus had actually wanted me. And I had always been very shy and without a lot of confidence. So it was a really good social experience and for me it was also a social maturation. It was a great benefit.
Best said possibly the only thing that would have changed my attitude: 'What will happen to me?' 'Your friend MacLeod will look after you,' I said. Best replied, 'If you get out, I get out.' There was silence for some moments. I thought of all the joy of the early experiments which we had known together. Here was loyalty.
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