A Quote by Naomie Harris
I can't impersonate someone. That is not what I do. I can only take someone's essence and create a character out of that.
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I admire the actors that truly can impersonate someone - become someone, inhabit someone. It's amazing when you see it done.
Someone said adversity builds character, but someone else said adversity reveals character. I'm pleasantly surprised with my resilience. I persevere, and not just blindly. I take the best, get rid of the rest, and move on, realizing that you can make a choice to take the good.
Someone said adversity builds character, but someone else said adversity reveals character. Im pleasantly surprised with my resilience. I persevere, and not just blindly. I take the best, get rid of the rest, and move on, realizing that you can make a choice to take the good.
Someone has to take the garbage out, someone has to cook the food, and someone has to clean the dishes. I want to do all of that.
When you are wanting to comfort someone in their grief take the words 'at least' out of your vocabulary. In saying them you minimise someone else's pain...Don't take someone else's grief and try to put it in a box that YOU can manage. Learn to truly grieve with others for as long as it may take.
It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
They say true love only comes around once and you have to hold out and be strong until then. I have been waiting. I have been searching. I am a man under the moon, walking the streets of earth until dawn. There's got to be someone for me. It's not too much to ask. Just someone to be with. Someone to love. Someone to give everything to. Someone.
I try to master every facet of a character in order to build a safety net for myself, so I can go on to take more risks to create someone really distinct.
You're playing a character in a drama who happens to be based on someone who existed. It's never going to 'be' that person, but it's based on someone well-known, and you want to create enough of that person for it not to be a distraction.
I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.
The six people you must find today...
Someone to love.
Someone to thank.
Someone to be grateful for.
Someone to forgive
Someone to forget
Someone to admire.
I do have friends, but they don't know me, only someone I've created to take my place. Someone sculpted from ice. I keep the melted me bottled up inside. Where no one can touch her, until, unbidden, she comes pouring out.
If you're playing someone who has lived, there's the risk of imitation, or whether you focus on the essence of who that character was as opposed to physical mannerisms. So, you have to figure out what it is ultimately that this particular adaptation of the story, whether it's fiction or not, is trying to say.
If someone were to ask me, 'What's the number one thing, in essence, that you left behind?'... it was the teaching of others, so that they could take my work and take it further.
I love the challenge of having one character who is traveling back in time to find someone. Nowadays, the only way we think to find someone is on Facebook.
In 'Saaho,' I play a grey character, someone who is complex from within. Devraj is someone who has grown cold over time, to the extent that people might describe him as someone who has died a hundred times.
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