A Quote by Napoleon Bonaparte
To understand the man you have to know what was happening in the world when he was twenty.
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Pick a man, any man. Every guy I fall for becomes Jesus Christ within the first twenty-four hours of our relationship. I know that this happens, I see it happening, I even feel myself, sometimes, standing at some temporal crossroads, some distinct moment at which I can walk away and keep it from happening, but I never do. I grab at everything, I end up with nothing, and then I feel bereft. I mourn for the loss of something I never even had.
People between twenty and forty are not sympathetic. The child has the capacity to do but it can't know. It only knows when it is no longer able to do -after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world's anguish is caused by people between twenty and forty.
The minute I understand a man, he is no longer exciting and a challenge to me. And the last thing in the world I want is for a man to understand me and know what's always going on inside my head. It takes away from all my mystery, which, as I've told you before, is the most important thing between a man and a woman.
When you understand that everything happening in the world mirrors something that's happening in yourself, then you can work on the self by working on the external manifestation of that thing in the world. And in fact, there may be no other way. You can sit in meditation for a long time and be blind to huge wounds in yourself, and it's only when you're engaging with the world that the wounds become visible, externalized.
And verily, a woman need know but one man well, in order to understand all men; whereas a man may know all women and understand not one of them.
As in a love affair, two creative people can destroy themselves trying to recapture that youthful spirit, at twenty-one or twenty-four, of creating without even being aware of how it's happening
It is the role of the poet to look at what is happening in the world and to know that quite other things are happening.
You know, at some point there has to be parity. There has to be parity between what is happening in the real world, and what is happening in the public sector world.
If everything that is happening in the world is traceable to our inability to understand what is happening in the world. If there is such a thing as original sin, it's the human capacity to get everything wrong, right from the beginning and all the way up to now, and that's what the old storytellers have been telling us, including the Creek Indians who told this story along with every other tribe on earth.
As artists, it's really important to take time to see what other art is happening and to know what's happening in the world.
At twenty a man is full of fight and hope. He wants to reform the world. When he is seventy he still wants to reform the world, but he know he can't.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible.
When you allow an animator to focus on a portion of the film and really understand the arc of the scene, what's happening with the characters, they can make choices all along the way that reinforce the main points of the scene. They really get to know what's happening.
For me the breath really is the tool which allows you to understand what's happening on the mental level and what's happening on the emotional level, and it also allows you to measure what's happening on a physical level.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
We can understand first of all that what is happening in the world of becoming, the world we all experience as beings, is that novelty is entering into being, and it is changing the modalities of the real world toward greater and greater levels of integration.
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