A Quote by Napoleon Bonaparte
It must be recognized that the real truths of history are hard to discover. Happily, for the most part, they are rather matters of curiosity than of real importance.
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Actors are the most important. Performance is what matters. Nothing matters more than the actors; they have to perform. No one else can give life to the characters. Audiences must believe the characters as real and the moments as real.
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths. As for nonfiction, for history, it may be real, but its truth is slippery, hard to access, with no fixed meaning bolted to it. If history doesn't become story, it dies to everyone except the historian.
The man who inspired me most, I think, was Dr. Alfred Blalock, who was professor of surgery at Johns Hopkins. He was a rather simple man with a burning curiosity. It was through his curiosity that he made many real contributions to medical science.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
To work in America or other places is more about curiosity, because I'm dealing with cultures and sensibilities that I don't really know. So I'm having to sort of investigate them, which I'm fascinated in, but it comes from a place of curiosity rather than a real need to get something out of my system.
A jest often decides matters of importance more effectively and happily than seriousness.
The power of memories and expectations is such that for most human beings, the past and the future are not as real, but rather more real than the present.
It's a common part of the narrative of the history of Christianity that it was 'real' religion that involved real spirituality and real faith, and that's why it's completely superseded the more pagan polytheistic practices.
Part of the challenge always with issues of public safety is, you know, fear is real and it has to be recognized as real. I mean, people are fearful for reasons that are not totally irrational, right?
Most so-called women's work is not recognized as real activity. One reason for this attitude may be that such work is usually associated with helping others' development, rather than with self-enhancement or self-employment.
The real invasion of South Vietnam which was directed largely against the rural society began directly in 1962 after many years of working through mercenaries and client groups. And that fact simply does not exist in official American history. There is no such event in American history as the attack on South Vietnam. That's gone. Of course, It is a part of real history. But it's not a part of official history.
The most distinguishing element of my novels is that I try as hard as I can - within the context of a popular commercial thriller - to make them feel authentic. Drawing on real locations and real events is part of that authenticity.
I sat there afraid that I might discover that the world around me is not real. then i thought: wait. i need fear that only if its true, and if it is, i must consider that while this may be bad, worse than that is living in a world that is only real because i am a coward.
The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.
Real friends offer both hard truths and soft landings and realize that it's sometimes more important to be nice than to be honest.
Taking the things people do wrong seriously is part of taking them seriously. It’s part of letting their actions have weight. It’s part of letting their actions be actions rather than just indifferent shopping choices; of letting their lives tell a life-story, with consequences, and losses, and gains, rather than just be a flurry of events. It’s part of letting them be real enough to be worth loving, rather than just attractive or glamorous or pretty or charismatic or cool.
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