A Quote by Napoleon Bonaparte

Charges of cavalry are equally useful at the beginning, the middle and the end of a battle. They should be made always, if possible, on the flanks of the infantry, especially when the latter is engaged in front.
If we are to stand the final heat of the battle, we must learn to stand our ground in the face of cavalry or baton charges and allow ourselves to be trampled under horses' hooves, or be bruised with baton charges.
Artillery is more essential to cavalry than to infantry, because cavalry has no fire for its defence, but depends on the sabre.
Cavalry is useful before, during, and after the battle.
Life doesn't have a neat beginning and a tidy end; life is always going on. You should begin in the middle and end in the middle, and it should be all there.
Civilization advances by extending the number of important operations which we can perform without thinking about them. Operations of thought are cavalry charges in a battle - they are limited in number, they require fresh horses, and must only be made at decisive moments.
I don't necessarily believe that stories need closure. I just believe they need a beginning, middle, and end, but the end doesn't have to prevent us from continuing to grapple with the story at hand. It ideally should demand that we remain engaged with the story.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
Infantry, Artillery, Aviation - all that we have - are yours to dispose of as you will. . . . I have come to say to you that the American people would be proud to be engaged in the greatest battle in history.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
There had so lately been a large force of Spanish cavalry at the village, which had made a great impression on the minds of the young men, as to their power, consequence, which my appearance with 20 infantry was by no means calculated to remove.
I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
We read of the courageous march south to battle the Confederate Army by the all-black 54th Massachusetts Volunteer Infantry. Unlike their white counterparts, they understood from the beginning that they would be offered no quarter if captured alive.
Every concept should have a beginning, middle and end.
A story should have a beginning, a middle and an end, but not necessarily in that order.
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