A Quote by Narciso Rodriguez
I'm a great fan of Bloomingdale's, and I'm a very loyal alumni of Parsons. I think what they do, what they've done, is amazing. They've educated some of the best American designers.
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I loved watching so many of the great designers I've worked with do what they do. That's why I'm still loyal to the designers that I've known since I was 16.
A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.
I think what's great is that, when HBO commit, they go in all guns blazing. They attract the very best set designers, the whole thing.
I see a lot of disloyalty around. I'm very loyal to people and that supersedes, frankly, party lines. But I'm very, very loyal to people and I'm also very loyal to people that I think are good for the country.
It was some great times and some great moments... I'm proud to be a WWE alumni. If it wasn't for my time there, there's no way I'd be excelling at Fox and acting.
The thing about Parsons compared to the other schools is that it really teaches you how to be a designer, whereas some of the other schools teach you to sketch or teach you the technical skills. But the curriculum at Parsons when I was there was how do you put a collection together, as well as all the technical stuff. It's the best training.
The American people may not be the best-educated, but they're very wise at heart.
I'm very proud; I have such loyal fans, and they would follow me to the ends of the Earth, and that's an amazing, amazing thing.
To me, the fans just seem so loyal, above anything, which is amazing. What more can you ask for in a fan?
Under Thatcher, who ruled us with an iron rod, great art was made. Amazing designers and musicians. Acid house was born. Very colourful and progressive.
I think it's cool to get to know designers. There is some anxiety, maybe, that after you've met a designer, you want to be loyal to them and wear their clothes. And sometimes it's just not my style. But you have to be honest, and I don't really want to lie.
It's funny, in some of the interviews I've seen that were done for the film, some people say things like, 'Oh, I was never a very big Jim Woodring fan. I've never thought his work was that great.'
Another factor is the education and culture in which you grow up. I didn't grow up in the culture of victory, where you are expected to be or have to be, the best. It was not at all like that in my family. Tennis was really a hobby. If it led to something, great. If not, there were other things in life. I think that was something I was missing at some points in my career, because when I see Hingis or the Williamses, you see how they were educated for this: to win, to be the best, a bit the American mentality. Number one. Number one. Number one. I didn't have this.
I think I'm one of few American designers doing a house in Europe, and I think I've been proving myself there very well.
There are a lot of Chinese-American designers and Chinese designers who have had an impact a little bit on the American market, but I think it's going to be interesting to watch if, over time, somebody can emerge from China who is based in China, and whether they come and show in Paris, like Rei Kawakubo or Yohji Yamamoto did.
I think there are white alumni out there who wouldn't mind having an African American president of their school, but would be reluctant to have an African American coach, because he represents the school so. I think it's just sheer backward racism.
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