A Quote by Nargis Fakhri

I have worked with the biggest actors from the beginning. I am hoping God will bless me to work with other big actors. — © Nargis Fakhri
I have worked with the biggest actors from the beginning. I am hoping God will bless me to work with other big actors.
You have actors you've worked with previously, and you have actors you haven't worked with that you've seen in things where you know they can work in these parts. And then there are actors who blow you away, who surprise you.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
I don't think just because I work with big actors, I will become a big director. So I work with only actors who do justice for my roles.
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
I'm sure there are actors out there who work with other actors on a consistent basis - I am not one of them.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
The biggest quality of good actors is that they know how to respect their co-actors, whether they are as big a name as them or not.
When movies work or a TV series, when they really work, it's because of the collaborative effort. Competition is the death knell for anything, in my opinion. Especially in Hollywood. When actors are competing against each other, or when directors are competing against actors, it's usually the beginning of the end.
I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me. But this has worked for me: Never memorizing a scene.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
Other actors have come up and told me that I don't take my work seriously. How am I not taking it seriously? Ask the directors who I've worked with and they'll tell you how serious I am.
Coming from documentaries, my biggest challenge was to understand actors' psychologies. American actors take it all very seriously; British actors don't enter into all this methody way of doing things.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
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