A Quote by Nas

People afraid of criticism but I always put myself in a sacrificial position,they been know I ain't just rappin for fame — © Nas
People afraid of criticism but I always put myself in a sacrificial position,they been know I ain't just rappin for fame
I'm not afraid to challenge guys. I'm not afraid to put guys in positions to help the team. And I'm not beyond accepting criticism and challenges myself. I think that's why guys are attracted to wanting to play and be around me. They know I'm all in on winning.
I've always told the truth. I think that's been part of the foundation of my career. I don't put myself above people. I don't put myself different than people. And I, for one, know that none of us is immune.
The horrible thing about Death of princess Diana - the sacrificial lamb, which she was. And I believe, in a sense, John Kennedy, Jr. was the same thing. These are people that we loved so much that we drove them berserk with all the attention and they basically didn't have any particular stellar talents. They were just in some kind of a position somewhere where we fixed on them and they became, literally, sacrificial lambs
I feel like I put pressure on myself to perform well and to play well and to do well. That's what I expect of myself. It's not always going to happen, but I can certainly sort of put myself in the position where I can get the best out of myself.
I've always been terribly uninterested in criticism. And one of the reasons, I just thought recently, is that you know there are various schools of criticism that will compete, and one will supercede the other.
You gotta deal with a lot of people, the naysayers... but I've always been the guy who kinda just smiles and laughs at it. I use it as constructive criticism to be honest. Whether they're intentionally trying to be kind of spiteful or not, it's constructive criticism because you can't say there's always truth to it but there's definitely something.
I'm not afraid to live. I'm not afraid to fail. I'm not afraid to succeed. I'm not afraid to fall in love. I'm not afraid to be alone. I'm just afraid I might have to stop talking about myself for five minutes.
I've been in the music business for 15 years. I've seen it all, man. I've just always been scared of coke. When I was on the road and saw some people do it, I was afraid I would really like it. I was afraid of the consequences.
When I was younger, many of my romantic escapades were just a means of simply avoiding being by myself. I was afraid of feeling lonely, afraid I wouldn't know what to say to myself.
I don't know if I had success or not. But I am afraid of myself. Why am I afraid of myself? I always feel - I don't know - weak in the sense of not having power and also power is a fleeting thing, here today, gone tomorrow.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
Making the Hall of Fame has long been considered the top individual honor that one can achieve in any sport, but for me, I feel it is a culmination of all the input and effort afforded me from so many other people over the years that put me in this position today.
I like to try to get around the younger generation to just encourage them. But I've always been afraid of coaching because I was always hard on myself as a player.
I was not happy with myself as a human being when I was very young - I was afraid of people; I was afraid of talking, I didn't know how to express myself other than by being on stage.
I'm always put in the unfortunate position of asking people to donate money and people I know in bands to play benefit concerts and all this stuff.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
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