A Quote by Nas

I talk about life, and I make universal music with an American style - and that's what I do. — © Nas
I talk about life, and I make universal music with an American style - and that's what I do.
Copland was one of the first American composers to forge a truly modern style of American classical music while also making use of American popular music - including jazz.
When I make the music that I make, when it comes to reggae music, I engulf the whole spirit of it all. It's just like when I do rap music or whatever style of music I do, I have to engulf the character I do and bring that to life.
Jamaican reggae is the style of music I always reach for when ranting to friends about how you could listen to one style of music exclusively for the rest of your life - and it would all be great and varied and worth hearing.
When we talk about defending Muslims, defending women, we're automatically by default excluding someone, but when we talk about defending liberty, when we talk about defending the freedoms that are enshrined within our founding documents, that is inclusive of every American. That's a message the American left needs to learn as we move forward.
I wanted to talk about how stupid music is. I wanted to talk about how awesome music is, and how depressing it is, and why we all make music if it doesn't last forever.
Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
Comics, in a sense, the style, the images - it's almost like music. They say music is a universal language, but when the eyes behold something, a figure, somebody moving; it's real, and it cannot be denied.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
To me, country music's about life. It's about Monday through Friday. It's the blue-collar, 40-hour week, songs about life. It used to have more of a sound, but I think the heart of that's still the same. It's still American music.
Music making features real-time creation, real-time decisions and actions. It's basically improvisation, which is the stuff of everyday life. In the realm of discourse about music, improvisation is marginal, but in the realm of doing it, it's omnipresent. Strange distinction here: we're improvising all the time, but when we tend to talk about music, we tend to talk about objects that are fixed, like recordings, scores, pieces.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
They all trying to say something with music that you can't say with plain talk. There ain't really no words for love or pain. And the way I see it, only fools go around trying to talk their love or talk their pain. So the smart people make music and you can kinda hear about it without them saying anything.
If you want to talk about EDM, let's talk about Detroit underground music, Chicago house and let's talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
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