A Quote by Naseem Hamed

You can't duplicate me. A lot of fighters come out with a certain amount of style, and I like to see that, but they get smashed up a little bit. — © Naseem Hamed
You can't duplicate me. A lot of fighters come out with a certain amount of style, and I like to see that, but they get smashed up a little bit.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
You have a little bit of talent, a certain amount of good fortune and a lot of hard work in pursuit of whatever truth you can find in it, and if you are really lucky, a terrific partner and I have that and those four things worked out for me.
Fighters are my comrades. There are a lot of them with great personalities, they're great fighters, and they should be lifted up a little bit more. I just wish MMA would do that.
There's a lot of girls out there that can relate to me. They can look at me and see themselves a little bit. There's a lot of girls out there that have a tougher side to them. I just think that people are really grown and attracted to that, and that's why people like to see me fight.
I see a lot of people try to come out and copy me, duplicate me, and give it the old college try, but at the end of the day, there's only one Chael Sonnen.
Over time you learn to know a bit more about yourself - you develop a certain amount of self-insight and self-awareness, and you know what you can absorb, and what you cannot; what gets to you and what doesn't. And I observe a lot. I see a lot around me. And over time you also get to understand the nature of man and the environments you are dealing with, and you can't always allow emotions and temper to flare up because you're displeased with something, or you want to change it.
The casting is the most important thing. If you cast a picture really well a lot of things take care of themselves. You get actors that like to give a lot to the role and who appreciate the role on the same level that you do. If you miscast it, you're working an uphill battle a little bit and maybe you can come out okay but you can't always come out great.
When the Beatles first came out, you had to go to a certain amount of trouble to have long hair. You just couldn't have it immediately. Anything you can just go out and get - like platform shoes - is not going to inspire people as much as something they have to go through a little bit of hell to have.
It’s such a floating freak show. You get a bit older and you start to see what’s going on backstage in the collective psyche of this ridiculous industry. … Nothing pleases me more than when somebody who was awe-inspired to be working with me realizes I’m just another schmuck that they’re bored of hanging out with on a set. I love that moment. I like it when that persistent illusion is smashed.
When you get into Louisiana, it really is like a different country in a lot of ways. The plants you see are a little different, like the weeping willows and the cypress trees that come up out of the bayou. And it's steamy hot.
I block out a good amount of time - could be 6 or 8 months - and I just write. I do a lot of traveling, and I do a lot of co-writing with different writers just to start getting ideas out and kind of get a little bit of direction as far as where I'm going to go with the album.
I see some fighters lose very badly, but still they get more praise or they're not overrated. They're just good fighters in a lot of people's eyes. But I feel like one loss with King Mo, it made me a very bad fighter somehow.
I have the normal desire, experienced by everybody who's ever flown an airplane with a certain amount of zoom capability, to go a little bit higher and a little bit faster.
The state of mind of a fighter is so important. I don't like to see a fighter stay locked up in a room. Sometimes it works against them. They think and they worry. They dwell, sitting in that dark room. You come back and they're psyched out. I like to see boxers eat and then walk, mingle with people. You have to have a certain amount of movement.
Whenever you see somebody's style you feel like you get to know them a little bit better by how they're dressed.
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