A Quote by Naseeruddin Shah

I've always found people with physical disabilities interesting to watch: how the dynamics of their body work, what makes them move this way or that. — © Naseeruddin Shah
I've always found people with physical disabilities interesting to watch: how the dynamics of their body work, what makes them move this way or that.
What makes characters so interesting when you're an actor or a dancer is to watch and observe how people walk and move and speak. Are they cat-like? Are they walrus-like? Why does that person bother me, and why do I think they are the way they are?
It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
Ultimately people don't watch shows because of how realistic they are. They watch them because of the same dramatic elements that have always made stories interesting. And fundamentally if those elements don't work, no amount of reality is going to be enough to keep people watching a show.
I don't mind making a fool of myself. I felt like people would be accepting of that because, to me, that seems like an interesting way to do a show. I've always thought that it's interesting to watch people work things out on stage.
If young actors ask me things, I always tell them to get on set and watch how it's done. If you can, watch the people that you like, how they work.
Many people with physical disabilities have romantic lives and good marriages to partners who see past their disabilities and recognize all of the things they can do.
It's always interesting for me to watch the pilot of an established show because you see how the writers and actors weren't really sure what the show was and what the dynamics were. If you look at the pilot for 'Seinfeld,' for example, it's practically unrecognizable.
A cat is incredibly physical, and as a performer, I'm physical. If I feel emotions, they move through my body in a way that is sensual. I'm not necessarily in control of that.
When something goes wrong with the body of energy that surrounds and protects your physical body, it will later show up in your physical body. The problem always starts in the subtle physical, and then manifests in the physical.
I've just always been interested in how people lead their lives. How they survive in this world. I'm curious about people's damage, and navigating that and the way people forgive. I find it really interesting. That's why we have to transform on a daily basis, work on ourselves. It's work.
Many people talk about the mind-body connection and how what we think can affect our physical self. What I have found, even more than the mental connection, is that the emotions rule the body.
I think you can teach people a technique - you can teach them how to use their voices, how to breathe properly, how to move their limbs a certain way. But to actually explain how one performs comedy or drama or tragedy isn't the same as the movements one makes.
We often hear that people mean well: that so many just don't how to interact with people with disabilities. They're unsure of the 'right' reaction, so they default to condescension that makes them feel better in the face of their discomfort.
You have to give access to people with disabilities but there is no requirement to hire them. What I mean by affirmative obligation is that producers must take the necessary steps to include opportunities for people with disabilities and a vast majority of them do.
It's always interesting to watch people who have been incredibly successful in their own businesses work in a group made up of equally strong personalities. It takes a special kind of leader who can effectively manage a team of veritable strangers and find the best way to get strong, winning performances from them.
I'm a big fan of human dynamics. Nothing fascinates me more than really interesting people and human dynamics.
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