A Quote by Naseeruddin Shah

I never go to film festivals. I am allergic to them. — © Naseeruddin Shah
I never go to film festivals. I am allergic to them.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.
It's not a big deal to send a film to the festivals, but yes, winning an award is huge. When you send a film at festivals, people talk about you and your work, and one gets great exposure.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
I am not a regular at film festivals.
People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting, because it's like you're going to the film's opening night at every festival.
I am passionate about film festivals.
Of course, some people call me one of the most well-networked people in the world, but I am a very unsocial person - I never go to a cocktail party; I am never seen at a charity event. I have one exception: I'm a member of the board for one of the big European music festivals, so I participate, with pleasure, in concerts.
Festivals are always fun. I went to a lot when I was younger and had money to go to them. I like playing at festivals. They're always kind of like a big, crazy circus.
When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.
Since I was 20, I wanted to make a short film and send it to international short film festivals. It never happened. I became too big a star to indulge in those things.
I've never left them to go do a film. No, we all go together. I could never leave them. My kids are my whole world.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
At film festivals, I put on my sunglasses and go to sleep because I don't want to see my films again.
When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.
The irony of a director going to film festivals is you never get to see any of the films.
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