A Quote by Nassim Nicholas Taleb

The imagination of the genius vastly surpasses his intellect; the intellect of the academic vastly surpasses his imagination — © Nassim Nicholas Taleb
The imagination of the genius vastly surpasses his intellect; the intellect of the academic vastly surpasses his imagination
The region belonging to the pure intellect is straitened: the imagination labours to extend its territories, to give it room. She sweeps across the boarders, searching out new lands into which she may guide her plodding brother. The imagination is the light which redeems from the darkness for the eyes of the understanding. Novalis says, 'The imagination is the stuff of the intellect' -affords, that is, the material upon which the intellect works.
Fancy, an animal faculty, is very different from imagination, which is intellectual. The former is passive; but the latter is active and creative. Children, the weak minded, and the timid are full of fancy. Men and women of intellect, of great intellect, are alone possessed of great imagination.
The intellect of most men is barren. They neither fertilize or are fertilized. It is the marriage of the soul with nature that makes the intellect fruitful, that gives birth to imagination...without nature-awakened imagination most persons do not really live in the world, they merely pass through it as they live dull lives of quiet desperation.
Nature's imagination far surpasses our own.
Imagination is vastly more important than intelligence.
Modern industry seems to be inefficient to a degree that surpasses one's enduring powers of imagination. Its inefficiency therefore remains unnoticed.
As usual, nature's imagination far surpasses our own, as we have seen from the other theories which are subtle and deep.
Science is vastly more stimulating to the imagination than the classics.
In The Jaguar's Children we enter the dangerous borderlands between countries and generations; myth and magic; human community and the vast, infinitely mysterious, wild environment. Here, John Vaillant proves that his heart and imagination are as expansive and fierce as his radiant intellect. Never have I encountered a writer with more energy or compassion.
The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time--- is he who shall create poems in stone.
The reason for you complaint lies, it seems to me, in the constraint which your intellect imposes upon your imagination. Here I will make an observation, and illustrate it by an allegory. Apparently, it is not good-and indeed it hinders the creative work of the mind-if the if the intellect examines too closely the ideas pouring in, as it were, at the gates.
Only at his maximum does an individual surpass all his derivative elements, and become purely himself. And most people never get there. In his own pure individuality a man surpasses his father and mother, and is utterly unknown to them.
Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.
He only moves toward the perfection of his art whose criticism surpasses his achievement.
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
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