A Quote by Nassim Nicholas Taleb

Modernity widened the distance between the sensational and the relevant. — © Nassim Nicholas Taleb
Modernity widened the distance between the sensational and the relevant.
Sensation is an element of what I do, and why not? It's not sensational for the sake of being sensational, but it's sensational art... It's like touching skin.
The eligibility for food stamps has widened and widened; welfare has been widened - unemployment insurance and disability insurance. These are all incentives not to work.
Whether we like it or not, the modernity is something that comes from Western countries, and when the modernity comes to the Eastern countries, although they feel like they really need it, at the same time it shakes the very fundament of the culture - there is always this challenge between the two.
In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
I'm operating in the gap between the trajectory of modernity and the trajectory of modernism. So what people think is design is not design, it's my attempt to engage with the trajectory of modernity.
I always thought that in the countries that the modernity kicks in later, it seems that everything changes on the surface, the physical things change, but inside, things haven't changed, really. This is always the challenge of this kind of community, to make a harmony between the cultural traditions and the modernity of modern life.
The distance between the adolescent and the true adult is about five thousand miles, but the distance between the adult and the elder is almost as large.
We must remember that the shortest distance between our problems and their solutions is the distance between our knees and the floor.
The confrontation between America and Europe reveals not so much a rapprochement as a distortion, an unbridgeable rift. There isn't just a gap between us, but a whole chasm of modernity.
There may be dead ground in between; and I may not have got The knack of judging a distance; I will only venture A guess that perhaps between me and the apparent lovers, (Who, incidentally, appear by now to have finished,) At seven o'clock from the houses, is roughly a distance Of about one year and a half.
Physical distance between people has nothing to do with loneliness. It's psychic distance.
Ernest Hemingway called Jospehine the "most sensational woman anyone ever saw." I think all women deserve to be this sensational looking!
There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.
Obama's economic policies widened the gap between the rich and the poor.
The idea of modernity is beginning to lose its vitality. It is losing it because modernity is no longer a critical attitude but an accepted, codified convention.
I do think there is a lack of modernity at the moment - and I don't even like that word, modernity, anymore. There aren't enough designers today anyway - there are more stylists.
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