A Quote by Nassim Nicholas Taleb

Please, don’t drive a school bus blindfolded. — © Nassim Nicholas Taleb
Please, don’t drive a school bus blindfolded.
I legitimately would like to drive a yellow bus when I'm older so I've actually thought about - I want to be either a crossing guard or drive a yellow bus. Drive the kids to school or let them cross to school so, you know, that's something I'm excited about. I'm serious about that. I think that will be great.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I started home-schooling when I was in elementary school because my parents were really busy back then. They didn't have time to drive me there, and we didn't have a school bus or whatever.
If you're drunk please don't drive. If you're on shrooms please don't think Walmart's a prison for bad clothing that needs help escaping.
When I was first writing, my little prayers were, 'Please, please, please. Let something be published someday.' Then it went to, 'Please, please, please. Let somebody read this.'
The main point is first get the right people on the bus (and wrong people off the bus) before you figure out where to drive it. The second key point is the degree of sheer rigor in people decisions in order to take a company from Good to Great.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
Being a figure skater myself and knowing what it took for my parents to get up at five in the morning to drive me to the rink before school and then drive me to practice after school - it's a huge commitment for any family.
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did in 'American Gigolo.' I could have done the music for those movies blindfolded. And one of them won an Oscar, and the other is this massive soundtrack.
I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
Everyone should ride the bus so that I can drive.
I went through elementary school being bullied and teased. I remember someone - I can't recall his name, but I can see his face - who decided on the school bus, when I was ten or eleven, to call me "Percy." That was somehow supposed to connect to the fact that I wasn't very athletic. I was, in fact, also not very coordinated. I was not very masculine, by the standards of ten-year-olds. I remember being on the school bus and everyone chanting, "Percy! Percy! Percy!" at me.
I don't drive. I live in L.A., but I take the bus. I know, I'm weird!
Because I lived so close to the school and walked there every day, I used to enjoy the school bus trips.
When you are waiting for the bus and someone asks, "Has the bus come yet?". If the bus came would I be standing here?
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