A Quote by Nastassja Kinski
I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.
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The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
I've never played a character that is just beautiful, but sometimes you can read scripts that sound so shallow, like women are objects. I've never done something like that, though.
Find something you love and commit. Commit 100%. Put your head down, and work as hard as you can. Make it as best you can, and that's all you can really do. It doesn't sound like much, but lots of people don't do the work. And it's not men or women. Lots of people like to be the director, but don't like to do a lot of the work that is sometimes quite tedious.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
Though farm chores and construction work are the most physically demanding jobs that I currently do, they feel like recess to me. And there's something really beautiful about work that feels like play.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
I'm the type who'd rather not work than work on something I'm not into. I've done that a couple of times, and I feel like I can totally see it in my performance.
We may know that the work we continue to put off doing will be bad. Worse, however, is the work we never do. A work that’s finished is at least finished. It may be poor, but it exists, like the miserable plant in the lone flowerpot of my neighbour who’s crippled. That plant is her happiness, and sometimes it’s even mine. What I write, bad as it is, may provide some hurt or sad soul a few moments of distraction from something worse. That’s enough for me, or it isn’t enough, but it serves some purpose, and so it is with all of life.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
Day to day and doing the work and getting to that honest point - that, for me, is always about - and always will be as long as I do this - refining and refining and refining and refining the truth... constantly being as truthful and honest and raw and real as you can be.
I know it's financially lucrative to go out on my own, but I don't like it. It's really hard work, just the performance aspect. I like people who look like they've been together for too long and sound like they've been together too long. I like rock n' roll bands.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
I like to work; I like to be creative. I work in the entertainment industry where work may come up, and it may not, so I wanted to do something proactive. I've got a brain; I don't want to just sit at home - I want to do as much as I can.
For some reason, that I can’t really explain, at the beginning of Radiolab, it always felt like life or death. Even though it was just a radio show. Even though no one was listening. And I am not quite sure why… but it may have to do with that radical uncertainty you feel when you are trying to work without a template.
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