A Quote by Nat Hentoff

Young people get very excited when they hear why they are Americans. It is not hard to do. — © Nat Hentoff
Young people get very excited when they hear why they are Americans. It is not hard to do.
People who won't sign the taxpayer protection pledge, people who won't sign the property-rights protection pledge, people who won't sign the state-sovereignty pledge, who won't put their beliefs in writing, who won't endorse the Freedom Agenda, we should be asking them some very very hard questions. Very hard questions. Because you know what, they get away with it. We hear what goes on in closed doors in Olympia. We hear them say the opposite of what they say publicly.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
I don't understand why Europeans and South Americans can take more sophistication. Why is it that Americans need to hear their happiness major and their tragedy minor, and as jazzy as they can handle is a seventh chord? Are they not experiencing complex emotions?
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
I just feel like sometimes people don't want to hear the truth. It's hard when you hear the truth. People want to hear what they want to hear. Sometimes I have a hard time with that because I'm very honest.
We need to get young people excited about politics, excited about government.
People get very excited about very high elements. That's why Mount Everest is so important - it's not the most difficult mountain, but it's the most famous because it's the tallest.
I remember as a really young child, watching his energy on the sideline and watching him get excited, his body movement, the way he reacted. It's fun to hear other people tell stories about my dad and the things he did in games and the way he'd get upset with officials.
I don't like to do press. But I know sometimes I need to do it because every time I do there's young people - black and white, but I think about young African-Americans because that's the experience I grew up with - who hear it.
I think what draws me to young people is there is always this kind of openness that reacts very strongly to things. Sometimes when you get older, you react much less. That's also a reason why a lot of young people get hurt because if you're open, you're more subject to being hurt by things.
The longer you live, the longer you hear the repetitiveness of things. So, it's hard to get excited about new stuff.
In studies asking why young people left their family religion, their most frequent response was unanswered doubts and questions. The researchers were surprised: They expected to hear stories of broken relationships and wounded feelings. But the top reason given by young adults was that they did not get answers to their questions.
Schools and parents can team up to find books that kids will really get excited about - that will make them say, 'That was a great experience. Now I know why people get excited about reading.'
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
There's just a lot of really young, entitled people. I don't think a lot of these young people have to work very hard. They're found on YouTube and, boom, thrown into the studio, so they think they can get anything they want.
The final key to the way I promote is bravado. I play to people's fantasies. People may not always think big themselves, but they can still get very excited by those who do. That's why a little hyperbole never hurts.
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