A Quote by Nat Hentoff

A.J.[Muste] died in the late '60s, I think. He was 81, something like that. — © Nat Hentoff
A.J.[Muste] died in the late '60s, I think. He was 81, something like that.
I think, at first blush, the '60s always enticed me. There's something about the '60s, it's not hard to like it.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
When I was a kid, for me, the '60s seemed so far away. But I was actually born in the late '60s.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
Things have not changed as much as we would like to think they have. Or maybe we're just in another one of the divided moments in the country. The late '60s certainly was one of them, the Civil War being another, but I'm hard-pressed to think of too many.
My mom would always play me a lot of late-'50s, late-'60s rock.
When I first started drinking, everybody was doing it. That was before they discovered marijuana and all that. It was the late 50s, early 60s - it was the beginnings of the rock 'n' roll era. The main drink was like wine. And even that was a romantic throwback to something.
I think we all remember Emma Peel from 'The Avengers,' the feminist icon that she was in the late '60s.
Saying, 'I'm going to hang up my hat today, and I'm retiring,' it's not a concept for me, and it never has been. I figure, when I'm 81, I'll play 81-year-old parts, hopefully.
Photorealism was this fantastic movement in like the late '60s and '70s, because photography finally became something that everyone could produce. Photorealism was and should've been a very short element. But the thing is, photography is so satisfying. Certainly when it's well done.
I think oldest children have a different mentality or know that there were different expectations of them, and I was not only the oldest child - I was the oldest grandchild of 18 grandchildren. I definitely grew up feeling like there were a lot of people who expected me to do something. But it was a very conservative family, very conservative neighborhood. I'm talking mid- to late '60s when I was growing up there, and so if I had stayed in the Boston area, I think my life would have been radically different.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
I think the Internet is an awful lot like FM radio was when it broke out in the late '60s. It's kind of a wild and wily kind of format. They could play 20 songs in a row that had the word 'blue' in them, or whatever they wanted to do.
We were wild-eyed hippies from the late '60s. We still had the exuberance of the mind-expanding '60s - that Tolkienesque, Zeppelin, androgynous, wood nymph, forest fairy kind of innocence. It sounds stupid now, but we felt we were changing the world with music.
To me, the counterculture was always what I grew up with the hippies in the late '60s. But, however you define it, it's really the excesses of youth and it's something that everyone goes through to some extent. Or if they don't, they should do.
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