A Quote by Nat Hentoff
I've - that I regret. That was stupid and ignorant on my part. I went to a party as a guest of a friend of mine, a lawyer. And he had a client who I didn't know, except - maybe I'm pretending I didn't know, but he was a big investor in The New Yorker. And as I found out later in a book about The New Yorker, this guy was very unhappy about [Bill] Shawn.He thought Shawn was spending out - spending too much money on writers.
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I told [a big investor in The New Yorker] - I was complaining the way writers complain.I said`[Bill Shawn] pays very well, but a lot of my pieces don't get in,' and that was true of most of the writers there.But he pays you for them, that was very nice of him. This guy didn't think it was very nice. He figured, `Oh, my God, that's more of my investment gone,' and paying money to writers for not printing them. That became, apparently, one of his weapons against Shawn when he - in the corporate skirmishes that went on. It was a bad mistake on my part.
I just so desperately wanted to be published in New Yorker, and I'd so desperately try to get something in it. But I'd always get nice letters back telling me that Mr. Shawn [William Shawn, the New Yorker's editor from 1952 to 1987] just didn't like this or didn't like that about what I submitted.
After New - when Newhouse bought The New Yorker, he said in one of those grand press conferences that `Bill Shawn will stay here as long as he wants to be here.' Well, he wanted to be here until he died, but he wasn't allowed to.
[Bill Shawn] had always been in The New Yorker immaculately dressed - quietly, immaculately dressed, very soft-spoken. On the phone I could hardly hear him sometimes.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
William Shawn was the editor of The New Yorker and for whom I worked for, God, 27 years; a man I respected enormously because of what he did, - what the magazine was about.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
I lived in New York my whole life. Like every New Yorker, I have stories about spending summers on the Jersey shore, riding the roller coaster in Seaside that is now famous for that sickening photo of it being washed out to sea.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
I'm a New Yorker. Matter of fact, the more I'm in places like Texas and California, the more I know I'm a New Yorker. I have no confusions. About that.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
I like [John Cardinal O'Connor] a lot. He - I started a - to know him - when I asked William Shawn at The New Yorker, `Sh - can I do a profile of Cardinal O'Connor?' He said, `All right. Find out what he's like.' So I went to his office, and I heard somebody - and it turned out to be O'Connor - yelling outside, and I've never heard him since raise his voice.
My chronology is terrible. [Work with William Shawn] must have some ago. It was after he was fired by Newhouse. After New - when Newhouse bought The New Yorker, he said in one of those grand press
I came out of a building and this woman stopped me, like, 'You're Miss Universe!' And she was a New Yorker! I'm not used to New Yorkers being fans, because they're so blase about it, you know.
For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. "I don't see how you stand it," they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. "It's all right for a week or so, but give me the little old home town when it comes to living." And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.
Why on earth is the 'New Yorker' publishing puff pieces about pretty girls who go to parties? Does the 'New Yorker' ever run photos of cute boys just because they're cute and they come from money and they go to lots of parties?
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