We disagree heavily on abortion [with Margot Hentoff].
Most written work is a conversation between the editor and the writer, that the writer essentially fulfills in public, and the editor provides the stage for that to happen as well as the prompts.
Margot [Hentoff] dislikes Bill Clinton because he's totally untrustworthy, and you really ought to have some faith in whoever's going to be your president.
When I approached one of his secretaries for an interview, I was told that Bob [Dylan] didn't want to see me anymore because of what my wife Margot [Hentoff] had written.
Margot [Hentoff] used to write regularly for The Voice, for The New York Review of Books, for Harper's Bazaar, and she really had the most distinctive writing style, even more than mine, than I've ever seen in this business.
[Margot Hentoff] stopped [writing]. She decided that she had nothing more to say. And yet, every day, she has a whole lot to say, and I wish she'd write it down.
Being an editor doesn't make you a better writer - or vice versa. The worst thing any editor can do is be in competition with his writer.
[Margot Hentoff] thinks - first of all, she - this I hear from a lot of people beside her. She thinks that men have no business getting into this argument at all unless they're going to be pro-choice. But it turns out that a fair number of fetuses are male, and besides that, we are all one part of humankind, it seems to me.
Margot Livesey, my dear friend, reads all the drafts of what I write, and I read hers. We have an intense working relationship. I've been really lucky to know her. She's a great reader and teacher as well as an astonishingly good writer.
The affair between Margot Asquith and Margot Asquith will live as one of the prettiest love stories in all literature.
The two things I've been told most often since my career took off - by taxi drivers, lifelong friends and everyone in between - have been, 'Don't ever change, Margot' and 'You can't do that anymore, Margot.'
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
The writer who can't do his job looks to his editor to do it for him, though he won't dream of sharing his royalties with that editor.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
There's never any humongous next draft. I know a writer who every time he finished a novel - you would know his name very well - but his editor would come and live with him for a month. And they would go through the manuscript together.
If you're an editor at TIME magazine or writer at TIME magazine and you are shocked to look at real documented research that says men and women are different - what in the world did you believe beforehand?