A Quote by Nat Hentoff
[My wife Margot] was the - I guess, the coordinator or the production manager [of The Jazz Review], and we got to know each other and we married.
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My wife and I have been together for 11 years, and seven of those married. We got married on 07/07/07. We support each other 150 percent. We have fun. We are a modern-day Sonny & Cher. I don't sing. My wife sings. We're so different, but so alike. We got that ying and yang thing going on. You see it, but you don't know how it works.
I finally got a chance to talk to my daughter from my previous marriage. I just got married May 3 to my beautiful wife, but we don't see each other much.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
I married her after knowing her eight days, and I was happy. That was my baby. At the same time, with us being so spontaneous, we did it backwards. Maybe she won't admit it, but I will. We should have got to know each other and then got married. The relationship kind of dissolved, but we're still going to be friends. I love her.
I lived across from a Catholic church for 15 years that I never went into. And then I got married to my wife and - you know, and now we're going in there every other day baptizing a kid.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
My wife and I don't compete. We know each other's preferences, and we work to provide those for each other. One will take over when the other is faced with something he or she dislikes. That's what friends do.
Incidentally, the very, very first review that James Lavelle and I saw of Endtroducing was very negative! It was in The Wire, and the context of the review was that, you know, Mo'Wax was so far behind Ninja Tune. Heheheh. And people wonder why there was this sense of a feud between labels! We just kind of looked at each other and we were like, 'Oh, well, let the floodgates open!' But, not to be facile, that was literally the last bad review I ever saw for that album.
And I'll tell ya, I'm really enjoying this marriage thing. You think about each other. You care about each other. It's wonderful! Plus, I love saying 'my wife.' Once I started saying it, I couldn't stop - 'my wife' this, 'my wife' that...it's an amazing way to begin a sentence.
The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.
I feel that when two people are married - not that you have to totally give up your career - you have to spend time with one another, get to know each other more, just share things with each other.
Thankfully, I have a very full life. I'm married with kids, so I have a lot of things to focus on, other projects either in post-production or pre-production, so you just do the best you can.
I sometimes look at the careers of other... I guess I could call them contemporaries or maybe close artists; you know, the 4 or 5 guys who go to New York City and get a loft and work together and use each other as models and that sort of thing and wait for years and years to get married. Maybe I just wasn't that definite.
I think you live and learn each year, whether you're a head coach, coordinator, or business manager. You learn different things that work and different things that don't.
In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
The music certainly plays a major role. You can be free enough to comfort each other, to touch each other, to embrace each other, to engage each other, to not be afraid of each other. The music certainly has that very strong element. Go back to folk songs, gospel, jazz, and spirituals. See, all of that came out of tremendous pain and hurt, rejection, loss, alienation, and abandonment. What I'm doing is I'm expressing my pain and hope at the same time.
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