A Quote by Nat Hentoff
Margot [Hentoff] used to write regularly for The Voice, for The New York Review of Books, for Harper's Bazaar, and she really had the most distinctive writing style, even more than mine, than I've ever seen in this business.
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[Margot Hentoff] stopped [writing]. She decided that she had nothing more to say. And yet, every day, she has a whole lot to say, and I wish she'd write it down.
I'm aware more than I was before I had books published that any review is a bit arbitrary - it's not really, say, 'The New York Times' that's authoritatively weighing in on the quality of a book, though it seems this way to the public.
I firmly believe that Harper's Bazaar is the star. I am there to make it the best it possibly can be, but there should be no confusion. I want to put Harper's Bazaar front and center.
She was mine and not-mine all at once. She was the most beautiful thing I had ever seen and the most terrifying.
If God had meant Harvard professors to appear in People magazine, She wouldn't have invented The New York Review of Books.
[Margot Hentoff] thinks - first of all, she - this I hear from a lot of people beside her. She thinks that men have no business getting into this argument at all unless they're going to be pro-choice. But it turns out that a fair number of fetuses are male, and besides that, we are all one part of humankind, it seems to me.
I know. You could never hid anything. Your eyes always gave you away. You had the most wonderful eyes I'd ever seen." She lifted her head from his shoulder and looked discretely at him. When she spoke, her voice was barely above a whisper. "I think I loved you more that summer than I ever loved anyone.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
In my day I think the toughest was Derek Harper. The old-school Derek Harper. He was tough. He had the most toughest, nastiest game ever. I hated playing against him because he would always try to rip you, and try to talk to you. People just didn't really know that about Derek Harper. I used to hate bringing the ball up against him, really.
The books I read I do enjoy, very much; otherwise I wouldn't read them. Most of them are for review, for the New York Review of Books, and substantial.
I never modeled myself after anyone. The person who had most influence on me was my mother, but it was really for her strength and courage more than her style, even though she had a lot of style. In a weird way, looking at pictures of me when I was 17 or 18, I was dressing the same way. I haven't changed very much.
What's changed in New York, and what made us really change our thinking about New York, is that the different neighborhoods are becoming more important as shopping destinations than they used to be.
Some Sundays, I read it quickly - other Sundays, I savor it. I generally spend most of my time in 'The New York Times Book Review,' 'Sunday Business,' 'Sunday Review,' and 'The New York Times Magazine.' I turn all the other pages, only stopping when I find a headline that interests me.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in the 'New York Review of Books,' and good friends of mine in France got very angry.
If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza. I love a slice when I'm in NYC, but it's like eating a Slim Jim compared with a filet mignon. One slice of Gino's East stuffed sausage pizza is a bigger meal than an entire New York pie.
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