A Quote by Nat Wolff

I have very weirdly realistic dreams where it could be real life, except it's not. — © Nat Wolff
I have very weirdly realistic dreams where it could be real life, except it's not.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
As we live through thousands of dreams in our present life, so is our present life only one of many thousands of such lives which we enter from the other more real life and then return after death. Our life is but one of the dreams of that more real life, and so it is endlessly, until the very last one, the very real the life of God.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories; or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
Fitzcarraldo is that metonymic character that's unwilling to give up on his dreams. Meeting Walter was the point in which all of these dreams coalesced into a very real person with a very real story.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
All my life, my girlfriends are always skinny. Beauty in art has nothing to do with beauty in reality. Why do you like primitive art? Because there is beauty in the deformity. Sometimes paintings that people consider realistic are not at all. Raphael figures look realistic, but in real life, they were deformed.
I have these realistic dreams and snap wide awake in the middle of the night. And for a while I can't work out what's real and what isn't... That kind of feeling. Do you have any idea what I'm saying?
I may still be a kind of a Marxist but I'm very realistic, I don't have these dreams of revolutionists around the corner.
Though my mom had too many of her own dreams denied, deferred and destroyed, she instilled in me that I could have dreams. And not just have dreams but had a responsibility to make them reality. My mom taught me from a very early age that I could do anything I wanted to do.
If I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest.
Dreams are life, real life, not simply reflections. Dreams are honest.
'The Wire' is very realistic and based on real events.
The Wire' is very realistic and based on real events.
We actually needed the memory - if you see the film - as a very different kind of a plot device of revealing some information to our main character. So we chose to represent it as these sort of beautiful little snow globes, which kind of, weirdly, that's the way we think of memories - at least, most of the folks that we talked to. You think of these memories as being very pure and absolute and unchanging. That's not actually real life.
Fools!" said the man, stamping his foot with rage. "That is the sort of talk that brought me here, and I'd better have been drowned or never born. Do you hear what I say? This is where dreams — dreams, do you understand — come to life, come real. Not daydreams: dreams.
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