A Quote by Nat Wolff
When romance is done well in a movie, it's awesome.
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When romance is done well in a movie, its awesome.
There's a horrible stereotype of both the romance writer and the romance reader as somehow undereducated and unprofessional, when in fact there are a number of incredibly well-educated professional women who have chosen to leave their other careers and go into writing romance.
I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.
As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies... well... babies are complicated.
I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
A play that works well and is done quite a lot - I've never done the math - but it's probably more remunerative than a movie.
Saying you're through with romance is like saying you're done with living, Betty. Life is better with a little romance, you know.
That's because I'm made of awesome." "And dipped in awesome." "And sprinkled with awesome." "Gods, I love the taste of awesome.
I've worked in male romance movies quite a bit. In fact, I think many years ago, I did a movie called 'Men With Guns,' which was very much in this bromance space. I've done a number of them.
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
Although I'm not actually embarrassed by this, I tend not to read books that have awesome movies made from them, regardless of how well or badly the movie represented the actual written story.
I just saw 'Men, Women & Children' last night, and it's a devastating movie in a lot of ways, but it's so well done, so well acted.
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
There are movies that we have done that haven't come out very well. That doesn't feel very good. But 'Jem' is in a different category. I'm proud of the movie. I stand by the movie, but I'm obviously sorry it didn't do any better.
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