A Quote by Natalia Kills
It's good to actually cry. Trust me, I've had a lot of practice over the years!
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Just trust your instincts. There's an old saying in golf, you've studied the swing many times, and you practice and practice, but when you stand over the ball, you just have to trust your swing. And you trust it. And if you don't trust it, you'll ruin it; your brain will take over.
I'm a big crier. I never cry when something is painful, but I cry if things are frustrating. Like if I'm trying to do something, and I mess up over and over. If I'm playing a video game, and I can't beat a level that I've tried 10 times, I'll cry. When I was a kid, I think I cried for every practice from 2003 to the middle of 2006.
You know why we're good at it? Because we get a lot of practice. This country is only 200 years old, and already we've had ten major wars. We average a major war every twenty years. So we're good at it!
I let out a battle cry. Sure, a lot of people might have mistaken it for a sudden yelp of unmanly fear, but trust me. It was a battle cry.
I like to read Octavia E. Butler's 'Wild Seed' over and over again. And J. California Cooper's 'The Wake of the Wind.' That one makes me cry from joy. I'll mourn - I'll actually mourn - and then I'll cry from joy. She's wonderful.
I like a good cry every now and then. It releases something. There are times in my life when I'm meant to cry, but I don't actually cry. But then I can be walking down the street and it's been a few months, and things get on top of me - that's when I find myself crying.
I have been making music since I was a kid. I have written music since I was, like, seven or eight. I was in the studio at 9, 10. So I've had a lot of practice over a lot of years.
I'm comfortable with that [a week's practice]. I've had numerous weeks of working on it, and a lot of it has been football specific. One week of practice actually, one week of official practice and I'll be more than comfortable.
For me, that's where my spiritual practice comes in. It's come from a lot of people that I've met that have influenced me over the years, and it's remembering those people, what they taught me.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
I cry alot-I dont know why, but it just helps me. I cry over bad and good stuff-sometimes sadness can be beautiful
There's not a lot of time to have conversations on the field during the game. That's where the trust and the practice comes into play, through practice, through off-site throwing sessions; that's where you build that trust and build that cohesion with a wide receiver.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
I am very athletic, actually, and I'm good at most sports. But I was never a successful athlete, because I have a lot of trouble with authority. To be a good athlete, you have to have sort of a military attitude. You have to enjoy being coached, and that was not something I ever liked. But more than that, I don't like practice, and coaches hate anybody that doesn't like practice. If you saw me throwing a football, you'd say, "Wow, he knows how to throw a football." But put me on a field, I'm not gonna stand out.
They were actually really nice to me [in Fast 8]. We had BBQs every day on set. We had a lot of laughs and a lot of good times.
I actually did do a musical many years ago with John Waters called Cry-Baby, but technically it was only half me - it wasn't me singing. Tim's [ Burton] the only person brave enough to actually let me try to sing.
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