A Quote by Natalia Lafourcade
Every time I go to Veracruz, I feel like, OK, I am back. When my feet go to the ground on the earth, I think, 'This is me, this is home, these are my roots, and now I can go and travel again to wherever you want me to go.'
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Wherever I go - like, I go to elementary schools, I go to middle schools - wherever it is, if it's in Florida, if it's up in New England, I just feel like wherever I am, the kids always go crazy whenever they see me.
I don't look like a fighter. I like it, though, because it just allows me to be in the position I am now, to where I can venture out to wherever I want to go. I can go into acting. I can go into this; I can go different ways now. And because of fighting, I can do that.
I just want to be quiet wherever I go, not seeing people, not facing more pressure, because every time now I go home, I will have so many people waiting for me.
all bags are pack ready to go i am standing here outside your door i hate to wake you up to say goodbye dawn is braking its early morn the taxi waiting he blowing his horn already i am so lonesome i could die so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go cause leaving on a jet plane don't know when ill be back again oh babe i hate to go there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you.
...the dark ancestral cave, the womb from which mankind emerged into the light, forever pulls one back - but...you can't go home again...you can't go...back home to the escapes of Time and Memory. You Can't Go Home Again
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto but every time I go back, I'm seeing the same things that I lived. That's one of the things I mean when I say, "My feet back onto the ground."
In comedy you feel you need to go back to the theatre every now and again, you feel you need to go back to an audience every now and again to see if you're still getting your craft right, making people laugh at the moments you think they should and that sort of thing.
I am reasonably happy. I didn't find Jesus or anything like that. Part of it is that I just feel that I could go home. I did not feel like that for a long time, but I could go back now.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
The super awesomeness would be a portable teleportation machine that I could take with me. I go wherever I want, and then I can go from there to wherever I want. Instantly. Without having to go through TSA. One can wish.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
I grew up with family who liked to travel and sightsee, so I have this pressure inside me: If I'm in a city and I have enough free time, I'd better go to a museum. I try to see parks, go outside. Or else try to feel really normal like go to Target or a drugstore, or go see a movie.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
What's happened is that every time I go to a convention or go into a comic book shop is that people drag me off into a corner and beat me up and go, 'When are you going to do Batman again?'
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