A Quote by Natalia Reyes

Actually, between Colombian and Mexican Spanish, there's not a huge difference, but it is a different accent. — © Natalia Reyes
Actually, between Colombian and Mexican Spanish, there's not a huge difference, but it is a different accent.
It's part of my challenge as an actor, not only speaking English but speaking Spanish with a Mexican accent.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
Colombian culture has had a huge influence on me and taught me a different way of looking at things - I was always different from the people I went to school with, and I learned to embrace that.
I'm the go-to guy for Mexican priests. I'm the new Barry Fitzgerald, except with a Mexican accent.
When I have to switch back and forth, it's not hard to go from the American accent to speaking Spanish, but then speaking Spanish and going back into the American accent is hard. I practice it so much. I talk to myself in the mirror all the time. It's like speaking multiple languages.
When a Spanish actor does an accent, that's sexy. When Peter Sellers did a French accent in 'Pink Panther,' that's funny - he got nominated for a Golden Globe. How come whenever an Asian actor does an accent, he's stereotyping?
The truth is, the difference between a studio photographer and a photojournalist is the same as the difference between a political cartoonist and an abstract painter; the only thing the two have in common is the blank page. The jobs entail different talents and different desires.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
People think I watch TV too much, but they are wrong. There is a huge difference between merely "watching" TV and learning to respond aggressively to it. The difference, for most people, is the difference between the living and dying of their own brains.
There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.
I picked up the Puerto Rican accent from my father, and my sister picked up my mother's very clear, concise, and slow Mexican-Spanish. So, when she does speak, she speaks with diction. She pronounces every word.
I'm Colombian. My family all have different complexions; some are people of color. I've been called every name by white people, been mocked for speaking in Spanish by white people.
To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.
There is a vast difference between merely knowing about Christ and actually knowing Him-the difference between heaven and hell.
The Mexican revolution was a break with the past to recover the past. We were trying to deny we had an Indian and a black and a Spanish past. The Mexican Revolution accepted all heritages. It allowed Mexico to be mestizo.
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