A Quote by Natalia Reyes
You're always nervous about an audition.
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I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
I was really nervous. Even when I left the audition I was nervous.
I'm always nervous doing auditions - to be honest, I hate it. I always envy the actors who are so cool and cold-blooded when they go in for an audition, especially if it's for a part that you would really love to play.
I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
I love auditioning. Since “The Notebook” and “Wedding Crashers,” I don’t have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don’t audition. What if they hate what I want to do?
It's always a great feeling when I have no regrets regarding an audition that I've done and I feel that way about my audition for Moe in 'Trinkets.'
My 20s was a sea of worry. I worried about benefit forms, about being thrown out of my flat. I never went on holiday because I thought: 'What if an audition comes up?' I was a nervous wreck.
I'm always nervous about going home, just as I am nervous about rereading books that have meant a lot to me.
I always get nervous. It's usually a good thing. I worry about the nights that I'm not nervous, actually.
I don't feel like I ever really do get past the nervousness. I'm always nervous. Something about being nervous keeps you on the edge, and I've always felt like I worked better under pressure.
I don't really get nervous about the people I'll audition for, especially if it's people I admire and want to work with: it actually makes me more excited.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
It's funny, I get really nervous when I audition for voiceovers.
When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
When I get nervous, I think about my dad, who would always tell me, 'When you're nervous, it means you care.' So I embrace it. That reminds me I'm ready.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
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