A Quote by Natalie Babbitt

I was born and raised in Ohio. During my childhood, I spent most of my time drawing and reading fairy tales and myths. — © Natalie Babbitt
I was born and raised in Ohio. During my childhood, I spent most of my time drawing and reading fairy tales and myths.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
What the Greeks and Romans considered myths, we consider fairy tales. We can see how very clearly the myths, which emanated from all cultures, had a huge influence on the development of the modern fairy tale.
I'm a Brooklyn boy. I was born in Brooklyn, New York, and raised there, and spent most of my childhood there.
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.
Fairy tales and myths are forms of cultural storage for the natural history of life.
The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'
I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.
Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.
I have always been fascinated by the supernatural elements in stories, whether fairy tales, myths, film or literature.
I spent much of my childhood in northern Quebec, and often there was no radio, no television - there wasn't a lot to entertain us. When it rained, I stayed inside reading, writing, drawing.
I didn't like fairy tales when I was younger. I found a lot of fairy tales scary. They really didn't sit well with me.
When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.
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