A Quote by Natalie Cole

Nothing had been attempted like that, to lift Dad's voice, literally, off of that track and put it on a brand-new one, and then line it up, match it up, get the phrasing right. I remember listening - everyone listening at the end, and we were just enthralled. It was really wonderful.
I never quite lived up to the image of the black man as I saw it growing up. I was never listening to the right music at the right time or wearing the right clothes at the right time. I was still listening to Michael Jackson, and everyone had sort of moved on to gangster rap. Alanis Morissette when everyone else was listening to En Vogue.
I wouldn't compare my sound on the mixtape to anything, but my influences are like - the minimal amount of hip-hop that I actually do know - because I didn't grow up listening to hip-hop like that. No one really put me on to hip-hop like that... My dad's from Jamaica and my mom is from Barbados, so that's really the stuff I grew up listening to.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
Hip-hop to me right now is really easy listening. It's very easy listening, like there's nothing abrasive about it. There's no album that I put in my car that makes me roll down the windows - all the windows - and ride past the club line three times before I get out the car.
Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what's been influencing them.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
I saw him at the club and one of his friends was like, 'You're gonna meet Justin' and I just remember - everyone knows Justin Bieber, right? Everyone grew up, at least I grew up, listening to his music. I know all about him, I was so nervous.
Influences come from everywhere. I don't really feel like I had too many influences for the first record because I grew up listening to music in church, and that was pretty much it. I didn't really grow up listening to AC/DC and all those bands.
I learned by listening to other people sing and doing impressions of them. And there are things no one can ever teach you, like phrasing. By listening to Sinatra, for instance - you felt that everything he sang had happened in his life.
I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.
In my Deep Listening class at RPI, I always do an hour of energy exercises to start with. Then we do a listening meditation after that, after the body has been loosened up and warmed up and is ready. We do the listening. After that, there's the journaling of the experience, which they do each time throughout the semester to the point that I have them write a final paper on what they've experienced.
I remember when my father was dying, I remember listening to Bjork, and listening to John Coltrane, and these things, and I don't know why but music has the power to transcend your physical being and take you up just a little bit.
I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.
I like listening to old soul music. I like Sam Cooke. When I was growing up, the first things I was listening to was Whitney Houston and Cher. They were really big inspirations for me.
I grew up listening to 'Planet of the Apes' and other scores, and it was fun for me because you weren't just listening to those scores, but you were also questioning what you were listening to. What are those sounds?
I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
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