A Quote by Natalie Dormer

You don't want the men to be written in a three-dimensional way and the women, not. — © Natalie Dormer
You don't want the men to be written in a three-dimensional way and the women, not.
You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
It was a gift to get to play a gay role that was written in a three-dimensional, human way.
If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
Since I found that one could make a case shadow from a three-dimensional thing, any object whatsoever - just as the projecting of the sun on the earth makes two dimensions - I thought that by simple intellectual analogy, the fourth dimension could project an object of three dimensions, or, to put it another way, any three-dimensional object, which we see dispassionately, is a projection of something four-dimensional, something we are not familiar with.
Three-dimensional, complex women get an audience engaged as much as the men. I’m a feminist in the true sense of the word. It’s about equality.
Genes are effectively one-dimensional. If you write down the sequence of A, C, G and T, that's kind of what you need to know about that gene. But proteins are three-dimensional. They have to be because we are three-dimensional, and we're made of those proteins. Otherwise we'd all sort of be linear, unimaginably weird creatures.
I'm glad that cinema is catching up to what television has known for a while: That three-dimensional, complex women get an audience engaged as much as the men.
Asian men are sexy, confident, and passionate - and three-dimensional. We want the opportunity to portray roles that reflect who we are in real life.
What's so dumb is that women are 50 per cent of the population, and they want to spend money to see movies where they're portrayed as three-dimensional characters.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
Women have always been more critical of marriage than men. The great mysterious irony of it is - at least it's the stereotype - that women want to get married and men are trying to avoid it. Marriage doesn't benefit women as much as men, and it never has. And women, once they are married, become very critical of marriages in a way that men don't.
I love the fact that there are more and more young people out there who still want to make a flat two-dimensional surface come alive with three dimensional magic.
I do get a little disheartened when you hear about how many girls get discouraged to not pursue a career in the sciences, and I feel like seeing women that are portrayed in this way - and beyond that, just three dimensional, complicated women - those are always going to be the stories that I gravitate to most.
I saw some women had written that the cloning of Dolly was wonderful since it showed that women could have children without men. They didn?t even understand that this was the ultimate ownership of women?of embryos, of eggs, of bodies?by a few men with capital and control techniques, that it wasn?t freedom from men but total control by men.
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