A Quote by Natalie Dormer

I think women have always been trying to look healthy. The makeup artists just teach you the quick cheats. — © Natalie Dormer
I think women have always been trying to look healthy. The makeup artists just teach you the quick cheats.
I think I've always been fascinated by women, colors, and makeup and the whole art of vanity because I would always watch my grandma get ready for church. And I was five or six at the time, maybe even four. I've always just loved admiring my grandma get ready and seeing how a touch of makeup made her so much more confident.
It's a funny relationship that makeup artists have. I always feel kind of like a dentist. People look at me and think of pain.
I've seen pictures of myself with makeup on, and I look like those women who look like they're wearing makeup so they can look young, and I don't think that's good. They have all these products now called - wait, what's it called, it's my favorite - youth suppressant, or age go away; they don't work.
I wore makeup when I was at school, and I wore makeup when glam started. I started wearing it again when punk started. I've always been drawn to wearing it. It's partly ritualistic, partly theatrical and partly just because I think I look better with it on.
There's Kelsea Ballerini, myself... Lauren Alaina, Raelynn, and there's been this influx of really amazing artists who happen to be women. I think I'm not really attached to the females in country conversation as much anymore, but I think, you know, we're here to stay, and we've always been here, and we've always been good.
I've always enjoyed watching makeup artists - but I'd like to go to the extreme and do monster makeup in movies.
I don’t really care what I look like that much, and I think women out there should just be happy with the way they look. They shouldn’t really try to conform to any kind of stereotype. Just be happy and hopefully healthy.
I thrive on quick players getting to the byline and sending over crosses. I just have to be quick enough to get on the end of things. In that regard, my job has always been the same, but if we have more wide, quick players, that can only be good for me.
I'm still so young, so I feel like people have wanted to keep me in a 'no-makeup' fresh type of look - sometimes artists are a little afraid of really putting the makeup on me.
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
Honestly I believe that men can wear makeup, teach makeup, and vlog about it just as much as girls can, and I am fighting for that equality with my channel.
Cara's always been a real tomboy. She was never really that into makeup. She's very quick at it.
I think the problem is that there has been a kind of backlash against feminism. I think women just didn't really see themselves winning that fight, and I think that probably led to a lot women feeling trapped in a perpetual cycle of disappointment - trying to be feminists and failing to be.
I'm not particular about makeup, but when I do wear it, I am partial to Fenty. That is what I own. I own it because it is partial to the various colors and shades of black women. It is one of the best cosmetic companies around as far as trying to remove toxins from makeup, and Rihanna is empathetic to the experiences of trans women.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
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