A Quote by Natalie Goldberg
It's okay to embark on writing because you think it will get you love. At least it gets you going, but it doesn't last. After a while you realize that no one cares that much. Then you find another reason: money. You can dream on that one while the bills pile up. Then you think: "Well, I'm the sensitive type. I have to express myself." Do me a favor. Don't be so sensitive. Be tough. It will get you further along when you get rejected. Finally, you just do it because you happen to like it.
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After a while, no matter how much you love any pop song, you're going to get tired of it. That's the way it is with any entertainment. It's good when you first hear it or see it, you like it for a while, then it gets old. It gets chewed up and spit out and it's done.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
A sensitive person receives fifty impressions where somebody else may only get seven. Sensitive people are so vulnerable; they're so easily brutalized and hurt just because they are sensitive. The more sensitive you are, the more certain you are to be brutalized, develop scabs.Analysis helps. It helped me. But still, the last eight, nine years I've been pretty messed up, a mess pretty much.
After my WWE tryout in 2014, I thought for sure that I was going to get signed and that it is finally happening and that I was going to finally be there. Then, when it didn't happen I was heartbroken. I always think it is because God had a plan for me.
Well, I'm gonna get out of bed every morning... breathe in and out all day long. Then, after a while I won't have to remind myself to get out of bed every morning and breathe in and out... and, then after a while, I won't have to think about how I had it great and perfect for a while. - Sleepless in Seattle
I think every coach has to adapt to what they have, because they're what you get. You can't just go out to the player tree and pick all the great ones. That doesn't happen. You get a Barry Sanders every now and then. You get a Billy Sims every once in a while. And when you have it, you adapt to their strengths. Whoever comes in here and whoever has this job needs to adapt and will do that.
Everything is so fragile. There's so much conflict, so much pain... You keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along - that weird, unbearable delight that's actual happy - I think you have to grab it while you can. You take what you can get, 'cause it's here, and then... gone.
I just find that I enjoy the music that feels like there's a journey to the top of this mountain, then you're at the top of the mountain finally with this magical feeling, and you're stoked because you made it, and you're up there, but there's a little bit of sadness to think of all that you lost along the way to get there. I guess I relate and enjoy the path and the struggle very much. Maybe it's the competitive spirit in me.
Once you lose attachment to how you want things to be because you realize you don't control anything, there's a curiously liberating aspect of that. I've always been a control freak, I've always felt that if I try hard enough, everyone I love will be kept safe and everything will be okay. Being shown, in such brutal terms, that that's simply not the way it works, in someways, it messed me up. I've been through hell, but on another level, if you pile up so much tragedy, it either destroys you, or you just start laughing about it. Because at the end of the day, no one gets out alive.
To me, a performance is a military operation; it requires so much planning, and then ripping up the plan the minute you get there because you have no idea what the audience is feeling. I'm very much an entertainer, and sensitive to the audience's perception of me. I often have to do unexpected things, even for myself.
I'll work by myself for years and then I'll think it'll be fun to et one of my friends like Marshall Brickman or Doug McGrath into a room and not be alone for the writing of the thing; to have the pleasure of taking walks and get lunch together; its sort of a fun process and then I do it and then I get back on my own for a while until I feel the need to do it again.
I just find that I enjoy the music that feels like there's a journey to the top of this mountain, then you're at the top of the mountain finally with this magical feeling, and you're stoked because you made it, and you're up there, but there's a little bit of sadness to think of all that you lost along the way to get there. I guess I relate and enjoy the path and the struggle very much.
The thing about singing is that if you're having fun while doing it then people will have fun watching you do it. Like in karaoke if you're like "I don't think I can do it" and then you sing a song and you look terrified people will say, "Poor guy or poor girl, get offstage. You're killing us." But if you get onstage and you don't sing that well but you give it your all, people will be like, "Yeah, I'll chug beer to this!".
I think women get caught up too much in having a plan - 'I'm going to get married at this age I'm going to have a kid at this age' - and then they just try to find a guy who will fit into that picture. I don't want my life to be based on that.
I think women get caught up too much in having a plan - 'I'm going to get married at this age; I'm going to have a kid at this age' - and then they just try to find a guy who will fit into that picture. I don't want my life to be based on that.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
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