A Quote by Natalie Goldberg

I had cancer for fourteen months and wrote a memoir about the experience. — © Natalie Goldberg
I had cancer for fourteen months and wrote a memoir about the experience.
The odd thing is, that I wrote The Great Spring while I had cancer and it's not about cancer. It was after I was done with cancer that I wrote a book about it.
I wrote the book Don't Die, My Love as I was going through radiation, so it certainly has an air of authenticity about it because I was there. I think all of my books took on kind of a deeper tone when the lady who wrote about cancer all of a sudden had cancer. I'm doing well. I went through it all and they said, 'You're fine."
I don't mean to be flippant about cancer - it was hard, it was tough and it was scary. Then my next manuscript was about cancer because I had a whole new topic to write about. And because I wrote, it didn't take over. Writing took the chaos out of cancer.
To the University of Oxford I acknowledge no obligation; and she will as cheerfully renounce me for a son, as I am willing to disclaim her for a mother. I spent fourteen months at Magdalen College: they proved the fourteen months the most idle and unprofitable of my whole life.
I didn't write the memoir with any sort of intention of feeling better. I wrote the memoir because I had a weird need to write a good story. But once I was done, I did feel better about myself. Not better, just calmer. Because a tremendous onus had been lifted off my day-to-day.
I get kind of tired of the "But it's your life!" attitude about memoir. I wrote. I engaged in artistic production. I made a piece of art. Why the preciousness or mystical unicorns around "memoir"? I'm curious how you feel about it just now.
The first thing is how awful cancer was, the experience. When you first go through it, you're just trying to survive. But when I wrote about it, I really digested it. It was unbearable but I had practice behind me.
My father died of brain cancer in 1991. I do not know anyone whose life has not been touched by the loss of a loved one to cancer. I wrote my book 'Gracefully Gone' about my father's fight and my struggle growing up with an ill parent. I wrote it to help others know they are not alone in this all-too-often insurmountable war against cancer.
Most bands don't even last fourteen months let alone fourteen years.
When I wrote "Win," it only took about eight months, but eight months of sheer pain and suffering because every phrase that's in there - and there are about 130 specific linguistic recommendations - I had to test every one to make sure that it worked.
The kid dead on the ground. Fourteen, Ash. Fourteen. I’m fourteen.” – Nick “Yeah…” – Acheron “Ash, I’m fourteen.” – Nick “Got it. You’re fourteen. I’m so proud you can count that high. It’s a testament to the modern American educational system. But I should probably point out that you’re not the only one. I’m told you go a school with a whole class of – get this – kids who are fourteen.” – Acheron
If I had spent fourteen months in a small room with Jesus, I'd want to fist fight with him.
The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story.
I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.
After I wrote my memoir, 'A Long Way Gone,' I was a bit exhausted. I didn't want to write another memoir; I felt that it might not be sane for one to speak about himself for many, many, many years in a row. At the same time, I felt the story of 'Radiance of Tomorrow' pulling at me because of the first book.
While I had cancer, I wrote these twenty-two personal essays about how I lived my life backed by Zen and writing.
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