A Quote by Natalie Goldberg

While I had cancer, I wrote these twenty-two personal essays about how I lived my life backed by Zen and writing. — © Natalie Goldberg
While I had cancer, I wrote these twenty-two personal essays about how I lived my life backed by Zen and writing.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
The odd thing is, that I wrote The Great Spring while I had cancer and it's not about cancer. It was after I was done with cancer that I wrote a book about it.
I don't mean to be flippant about cancer - it was hard, it was tough and it was scary. Then my next manuscript was about cancer because I had a whole new topic to write about. And because I wrote, it didn't take over. Writing took the chaos out of cancer.
I enjoy writing personal essays in the way of Charles Lamb because it goes back to the school days when I was good in writing essays.
Aging is like enlightenment at gunpoint. Before I had cancer, I lived my life for my art. After I had cancer, I lived my art for my life. I’ve always said dance is the breath made visible. That covers about everything because once you stop breathing and the breath is no longer visible, you stop moving.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I wrote the book Don't Die, My Love as I was going through radiation, so it certainly has an air of authenticity about it because I was there. I think all of my books took on kind of a deeper tone when the lady who wrote about cancer all of a sudden had cancer. I'm doing well. I went through it all and they said, 'You're fine."
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
My father died of brain cancer in 1991. I do not know anyone whose life has not been touched by the loss of a loved one to cancer. I wrote my book 'Gracefully Gone' about my father's fight and my struggle growing up with an ill parent. I wrote it to help others know they are not alone in this all-too-often insurmountable war against cancer.
Cancer is too real, and too awful, and I can't make it good or magical. I couldn't even read a book where a character had cancer, for a while... But now I've reached a point where I don't think about cancer nonstop anymore, and sometimes I worry about that - I'm going to forget what I went through; I'm going to forget how horrible it was.
The memoir was a very personal book. I wrote it as a personal journey and search about who my father was and how my family had come together and come apart - sorting all that out, you know, issues of personal identity.
As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.
I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.
I started writing poems, and when I first tried prose, I wrote bad articles and essays and columns, and I didn't have a handle on it. I didn't go to a school that really taught you how to write that stuff.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
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