A Quote by Natalie Goldberg

Because I've been doing my practice for so long, I knew what to do even under really hard circumstances. — © Natalie Goldberg
Because I've been doing my practice for so long, I knew what to do even under really hard circumstances.
I've been related to everything. Even the production; I knew how much it cost, I knew where the money went. It didn't last long, because hierarchy came back again.
It's really hard to say how long the show will last and will continue. I hope it lasts for a very long time. As long as kids watch it, anyway. But beyond this, sure, I would love to be doing film. I'd love to be doing more theater and perhaps even writing.
Because I knew how hard I worked, I knew the pain, I knew the sacrifice, I knew the tears, I knew everything. Despite everything, I stuck to it. I toughed it out, and I kept my head in the game, even when the odds were against me.
Over the Christmas period, I spent time with both Bob Hawke and Paul Keating, and you listen to stories and tales of how hard it can be when it's really hard, and I think we easily all talk ourselves into the proposition that it's never been as hard as this. Well it's been hard in the past. It's been really hard. So you keep doing it and, the more you do it, the more you gain strength and confidence that you can do it.
To think that practice and realization are not one is a heretical view. In the Buddha Dharma, practice and realization are identical. Because one's present practice is practice in realization, one's initial negotiating of the Way in itself is the whole of original realization. Thus, even while directed to practice, one is told not to anticipate a realization apart from practice, because practice points directly to original realization.
Being in this industry is so crazy that I don't even know if I could be in it if I didn't have faith. You have to have some level of it to want to keep doing this. Everyone who's been in this long enough has some sort of practice.
I'm a person who's trying to live within divine law, to the best and it's very hard because it's self-discipline, because the more you realise, the more you've got to get yourself straight, so it's hard, you know. I'm trying and there are a lot of people who are trying, even people who are not conscious that they are doing it, but they are really doing things for the good, or just to be happy or whatever.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
Hard work certainly goes a long way. These days a lot of people work hard, so you have to make sure you work even harder and really dedicate yourself to what you are doing and setting out to achieve.
I've been working really hard, and it's been nice because you get to not sit with yourself for too long.
By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.
That's been one of the best things about doing 'Game of Thrones.' My social circle in London has more or less doubled just by doing it because nearly everyone is based in London. And I hadn't long moved to London before doing it, so it's been really great in terms of meeting people to hang out with while I'm there.
I get asked sometimes 'What's the highlight of my career?' because I've been doing it for so long, and I always have a hard time coming up with something, because so many good things have happened.
I see bands that have been around for a long time who go through the motions. They're tired and they shouldn't really be doing it any more. We are doing it because we like it.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I did MTV so long because it's been really hard to find a place that has been able to keep my interests where I can do more than one beat.
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