A Quote by Natalie Imbruglia
The success of Torn was a bit too much for me. I took a year off and was still scared to start the second album.
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All right, Watson. Don’t look so scared,” he muttered in a very weak voice. “It’s not as bad as it seems.” “Thank God for that!” “I’m a bit of a single-stick expert, as you know. I took most of them on my guard. It was the second man that was too much for me.” “What can I do, Holmes? Of course, it was that damned fellow who set them on. I’ll go and thrash the hide off him if you give the word.” “Good old Watson!(...)
The first year was hard for me to deal with. The second year was a little bit easier, but still difficult. It took me five years to get it out of me. It was a difficult moment, a difficult time.
The success of the first album was almost an anomaly, and it could remain a fantastic anomaly. It was not crafted for commercial success. I remember meetings with my label saying it had no radio singles. For me, the second album was a gesture of independence.
I think a lot of kids get scared by 'E.T.' Sometimes when I do the science-fiction conventions, I'll have a 35-year-old guy with tatts and piercings all over, and he comes up and says, 'You know, it scared me so much I still can't watch it.
I think a lot of kids get scared by 'E.T.' Sometimes when I do the science-fiction conventions, I'll have a 35-year-old guy with tatts and piercings all over, and he comes up and says, 'You know, it scared me so much I still can't watch it.'
Justin [Di Cioccio] was [at Laguardia School of Arts]. He later took over at Manhattan. But I knew Justin through the McDonald's band, which at the time I was finishing high school and starting college, I got involved with. I was not that heavily involved with the school at MSM my first year there. I took a semester off to start my 2nd year. Took classes I felt like taking during my third semester, but by the start of my third year, September of '86, they began the undergraduate jazz program and I joined that program.
I took Instagram off my phone! I took it off because I found I was looking at it too much.
When we came off the tour for the last album, we started on this one. We've just been chipping away at it. We're not in that much of a hurry, because when we release a Blur album, that's a three year promotion and touring cycle.
These first few years, it's more trying to figure it out. What's going on in the NBA? Where do I fit in? Then my second year, I'm a player. 'Can he actually start?' I played pretty well my second year. My third year, now I gotta solidify myself. Now I'm here, and it's about winning for me.
My game wasn't where it should have been at all at the start of the year. I got into a couple of bad habits on my swing, and it just took me a little bit of time to get out of them.
Being naive I think is how you construct new music. When you start thinking too much what is it you're doing? You're just making an album. You're not doing brain surgery. If you take it too seriously you start taking yourself too seriously.
I hate the whole 'record your album, do your promo campaign, have a year off to write another album' pattern. As an artist, you should keep creating as much as you possibly can.
When my career took off it surprised me, I was only 22. To have that much success so fast, I just wasn't prepared.
I still love Delhi but get scared of the madness sometime. I know that my fans love me. But it gets a bit tough to handle when, in their excitement, they start touching and poking you to see if you're for real.
If I could choose any car in the world, I'd get a Lamborghini, but I think that's a bit too much money. I'll start off with maybe a V8 or something.
Sometime in my second year at Brown [University], I took an acting class. And the lightbulb went off for me. I fell in love with it. I realized that everything I was afraid of about myself, all my fears, could be used in that world.
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