A Quote by Natalie Jeremijenko

Experimenting with your own life is the most fundamental medium we have. — © Natalie Jeremijenko
Experimenting with your own life is the most fundamental medium we have.
Your life is a kind of laboratory where you're constantly experimenting with your own higher knowing, always increasing your capacity to design the life you choose. Human beings must create; it's hardwired. The question is, are you consciously creating or only sleepwalking through your human life?
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
Women especially are trained to protect other people's feelings, and a lot of that involves not telling the truth even about the fundamental details of your own experiences and your own life.
Money appears as measure (in Homer, e.g. oxen) earlier than as medium of exchange, because in barter each commodity is still its own medium of exchange. But it cannot be its own or its own standard of comparison.
I think TV is still, out of every medium, the one that really offers simple easy enjoyment. You've got lots of choice, you've got the opportunity to be entertained or informed on your own or you've got the opportunity to enjoy and experience programming together. It really probably is, I still think, the most emotionally engaging and bonding medium that exists.
One of the things you'll discover... as you listen to your own soul is that you spend a great amount of your life trying to bring meaning to your own life. And, by the way, most people are not going to church, so the place they're actually trying to find meaning in their life is at work.
Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.
I think when you're younger and you start off experimenting with make-up and it's very different to when you get older and you learn how to do your own make-up; you learn what suits your own face.
We seek to protect and preserve life for life's own sake in everything from our most fundamental laws of homicide to our road traffic regulations to our largest governmental programs for health and social security.
The ability to start out upon your own impulse is fundamental to the gift of keeping going upon your own terms. . . . Getting started, keeping going, getting started again in art and in life, it seems to me this is the essential rhythm.
In dreams you can become everything you're not. You can reverse the most fundamental truths of your life. You can taste death, the ultimate opposite.
The trouble with steeling yourself against the harshness of reality is that the same steel that secures your life against being destroyed secures your life also against being opened up and transformed by the holy power that life itself comes from. You can survive on your own. You can grow strong on your own. You can even prevail on your own. But you cannot become human on your own.
When you grow up without a brother or sister, you tend to see things just through your own eyes. You have friends and everything, but you spend most of your time watching TV or sat in a room making decisions about your life on your own.
People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand--what I could touch, hold, stand on, and stand for--Earth. My medium has been Earth. Earth in correspondence with my mind.
I think the most important thing in life is self-love, because if you don't have self-love, and respect for everything about your own body, your own soul, your own capsule, then how can you have an authentic relationship with anyone else?
Cinema isn't just a good medium for translating graphic novels. It's specifically a good medium for superheroes. On a fundamental, emotional level, superheroes, whether in print or on film, serve the same function for their audience as Golden Age movie stars did for theirs: they create glamour.
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