A Quote by Natalie Jeremijenko
Formally, I did my studies in the sciences, but I was very conscious that I was being deprived of culture. While studying neuroscience, I was running a rock-music festival and was able to use that as a platform to explore what it takes to produce art for 20,000 inebriated 20-somethings.
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Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
Argentina is a very interesting culture because unlike Europe and the US, they did not abandon rock and roll music, they did not turn their backs on it. It's an important part of their culture. So guitar music is an important part of their culture. So me being into rock music, I get respect working there, which wasn't happening in Europe or in the US.
My goal is I want to create the 20-20-20 club: 20 sacks, 20 tackles for loss, 20 batted balls.
If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
If a product costs $10,000 or $20,000 it has limited use. This is what the first computers cost! Only when almost everyone is able to afford it will it be a real thing.
You do 1,000 interviews, 20 percent of every one is not what you said, or is twisted a little. If you multiply 20 by 1,000 you've got a lot of inaccuracies out there.
Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
There are geologists who can pick up a rock and say, 'Yes, there's oil under there.' A geologist who has been studying those kinds of rocks for 10 or 20 years is able to make that pronouncement.
It's not a problem if 20,000 people heard my music for free, but it's a huge problem if 20,000 people never heard my music.
While I sat in family court, I probably heard 20 or 25,000 cases. And I am sure, during the course of those cases, there were cases that I probably would've decided differently had I had either more time or been able to explore more. But all you can do as a judge is really give a case your best effort.
In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didn't get to when I was younger.
In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didnt get to when I was younger.
How did Haydn and Mozart produce such vast quantities of formally perfect art? They worked from a perfect formula. In music, Beethoven was the Great Emancipator.
The best thing I have are 5 percent bonds from 1780, denominated from $1 to $20. As far as I can tell, they are obligations from the United States of America, so I should be able to walk down to the Federal Reserve and redeem the uncanceled ones. With 217 years of accrued interest, for a $20 bond, that's about $800,000.
[Robert Downey was being singled out for] selective prosecution. He's a sweet guy who never did harm to anyone except himself. He's been doing drugs for 20 years and functioning for 20 years, and in those 20 years there've been hundreds of people who've been getting high constantly and behaved very destructively and have not been arrested. Robert's real problem is he gets caught.
I had 20,000 followers and I treasured that. People'd say, 'Oh that's nothing.' I said, 'What are you crazy? That's 20,000 people that wanna hear what I gotta say!'
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