A Quote by Natalie Merchant
Literature gives us a window into other people's experiences in other places, in other times, so I thought it would be really interesting to investigate how different people had written about motherhood, and childhood.
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Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.
All our thoughts and concepts are called up by sense-experiences and have a meaning only in reference to these sense-experiences. On the other hand, however, they are products of the spontaneous activity of our minds; they are thus in no wise logical consequences of the contents of these sense-experiences. If, therefore, we wish to grasp the essence of a complex of abstract notions we must for the one part investigate the mutual relationships between the concepts and the assertions made about them; for the other, we must investigate how they are related to the experiences.
The gift art gives us is that instead of seeing only our own world, we see into other times, which offers a window into other cultures and sensibilities.
The tragic thing about learning from experience is I fear that one can only learn from one's own experience. Other people's - other nations' - experiences simply do not help. They can be imaginatively learned from. But people do not act on other people's experiences.
If you have that spark that inspires other people, if you have a spark that gives resources to other people, that shares in really collaborative fashion, a spark of wit that kind of tells a story that gives people novel perspective of something, that's the kind of charisma that really leads to lasting power. It's not the kind of charisma that's seductive and self-aggrandizing. It's really a sort of a kind of social energy that really brings about the best in other people.
I have ventured out and written about real-life experiences that I haven't gone through myself, but I've known people to go through them. In the past, I've always written about my experiences and people related to that, but there's a lot of other things that I've never written about that people have gone through.
And that's what I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like 'People' and try and fascinate and drool over what other people are doing.
What I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like People and try and fascinate and drool over what other people are doing.
It's interesting to do other people's music - that's how I learned to play, by learning other people's songs. It's nice to delve into how other people got to where they are.
One of my few virtues - I don't have a lot of them - would be a deep sense of curiosity. I'm interested in how other people live in other places; I'm interested in other cultures.
In a small club you have to do everything: negotiate with the bus company, do all the contracts, all the press work, all the coaching work. It was really exhausting. There was very little time for other experiences and to see how other coaches work and how people work in different countries.
I feel like the people from Iceland have a different relationship with their country than other places. Most Icelandic people are really proud to be from there, and we don't have embarrassments like World War II where we were cruel to other people.
I feel like the people from Iceland have a different relationship with their country than other places. Most Icelandic people are really proud to be from there, and we don’t have embarrassments like World War II where we were cruel to other people.
Acting is a job you can learn a lot in. You get to play lots of different characters with different professions and different backgrounds; they come from different places than you do, so it's really fun when you're immersing yourself in that world of that person to learn about how other people's lives are.
I actually interviewed other people about myself, and that alerted me to the fact that I had to really investigate my memories.
I'm not trying to be mean. You [ Nicholas Kristof] have written about climate change. You're really concerned and you've thought a lot about the suffering of people in other countries. It doesn't seem like you have thought that deeply about the suffering of your fellow Americans. You don't have the solutions say as you do for global warming. And my question is: Isn't it always easier for the elites to identify with abstractions or poor people in other countries and kind of ignore their own country men. I have noticed this. Have you noticed that?
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